Hammer to Nail Review: Strange Journey: The Story of Rocky Horror

If you’re reading this review, chances are you’re already aware of the awesome power of movies. The best films can be the connective tissue for society’s outcasts. Even those with more “normie” proclivities can unlock something hidden deep within them when exposed to the right combination of moving images, sounds, and vibes.

For many people, that first magic film was and IS The Rocky Horror Picture Show. So-called Transylvanians don’t forget the first time they saw Frank-N-Furter throw off his cape to strut around in a saucy corset without apology. At the Frankenstein place, It’s Brad and Janet, in their J.C. Penny undergarments, who are the outsiders. But even they will be welcomed into the fold with open arms (and legs).

Linus O’Brien’s film, Strange Journey: The Story of Rocky Horror, is so much more than a historical document. It’s an origin story for a cultural touchstone of Queerdos. And yes, you can be straight and still be counted among their ranks, so long as you leave your judgments outside in the rain. Richard O’Brien first birthed his masterwork in the form of a 1973 London stage show, with Tim Curry in the original cast. It was wildly popular, but it would take fits and starts to grow into the juggernaut it is today. Fifty years later, it resonates anew with young audiences and slips on like an old fishnet stocking for O.G. fans.

Who better to tell this storied history than a guy who literally grew up with Rocky Horror: Linus O’Brien. Richard O’Brien’s son was always aware that his dad wrote a pervasive musical, but it didn’t dawn on him until a few years ago, just how meaningful it is to people. He explains it beautifully in his director’s statement:

“As I read through the comments [on a youtube video of “I’m Going Home”], I was overcome with emotion – each person shared their personal story and the deep place the song held in their heart… this was the first time I truly grasped the enormity of its influence on individual lives… the unique cult phenomenon it fostered and the safe space it created for all kinds of people; and the unfortunate reality that, in today’s political climate, Rocky is as relevant as ever.”…

Read the rest on Hammer to Nail!

Hammer to Nail Review: Boys Go to Jupiter

Writer/director Julian Glander, best known for his 3D animated video game, ART SQUOOL, and Adult Swim contributions, gets personal with his feature debut, Boys Go to Jupiter. This animated slice-of-life musical conjures Scott Pilgrim vs the World, Barbie, Playmobile toys, and The Florida Project. But Glander and his producing partner, Peisin Yang Lazo mash up their evident influences in a way that feels wholly unique. It’s hardly the first film to depict that nebulous, confusing, and sometimes scary period betwixt teenhood and adulthood. But it feels fresh in so many ways. This one has sleeper classic written all over it. I wouldn’t be surprised if future filmmakers one day cite this film as an influence.

The story follows Billy 5000 (Jack Corbett, host of NPR’s Planet Money TikTok series),, a suburban teenager and recent high school drop-out, who is languishing in the dead zone between Christmas and New Years Eve. He decides that the best way to get his life on track is to earn $5000 delivering food via the Grubster app. He commutes on a Swagtron hoverboard, taking him across the paths of many oddball characters, who are voiced by a staggering roster of talent. Among them: an ineffectual security guard (Julio Torres, Problemista), the downtrodden owner of a mini golf course (Joe Pera), a fanatical Christian woman (Sarah Sherman, SNL), a spirited octogenarian (Cole Escola, TVs Search Party, Broadway’s Oh, Mary!), and the diabolical CEO of an orange juice company (90s comedy legend, Janeane Garofalo), who also happens to be the mother of Billy’s crush, Rozebud (indie musician Miya Folik). Influencing his misadventures at every turn is a donut-shaped alien he accidentally picks up during a delivery, and a worm-like creature (Tavi Gevinson) who may hold Billy’s fate in their… whatever it is that supernatural worms use instead of hands.

Meanwhile, Billy checks in with his friends, including the supportive and aptly-named Beatbox (Elise Fisher, Eighth Grade), a wild card called Freckles (Grace Kuhlenschmidt, TV’s The Daily Show), and the friend group scapegoat, Weenie (Chris Fleming). The crew are usually getting into some manner of suburban mischief. i.e. “We’re going down to the train tracks. Do a little train track stuff.” His family, including older sister, Gail 5000 (Eva Victor, Sorry, Baby) provides motivation in the form of tough love…

Read the rest on Hammer to Nail!