Paid in Puke S4E10: Beatriz at Dinner

On today’s episode, we’re (mostly) delighting in Miguel Arteta’s 2017 dramedy, Beatriz at Dinner, starring Salma Hayek, Connie Britton, Chloë Sevigny, and Amy Landecker. Beatriz (Hayek) is a holistic massage therapist and Mexican immigrant circumstantially trapped in a palatial estate with her wealthy client and her husband’s business partners.

In Hot Probs, we discuss how normally, a Mike White script doesn’t mess around, but this one does a little bit. Still, White does a commendable job depicting racist/classist micro-aggressions through the natural conversational flow of a Boomer dinner party.

On the Lunchtime Poll, we reveal the bridge-too-far in dinner conversation that would prompt us to take a stand and ruin the night for everyone else.

This is the last episode of Series 4, but we’ll be back next week with a late holiday special!


Paid in Puke S4E9: Jackie Brown

On today’s episode, we’re talking about Quentin Tarantino’s first female-driven film, 1997’s Jackie Brown, starring Pam Grier and Bridget Fonda. Based on the novel, Rum Punch by Elmore Leonard, it’s not without the usual Tarantino trappings (feet, rampant use of the n-word, built-in misogyny), but there’s a lot to love in this most underrated of Quentin joints.

On the Lunchtime Poll, we reveal our hypothetical filmmaker signatures and discover something surprising about Mario Cantone.

Ex-Rated Podcast: In Bruges

I got to be a guest on one of my favorite podcasts, Ex-Rated! They were doing their Christmas in December series (gotta love that name) and asked me to pick a backdoor Christmas movie. I chose Martin McDonagh’s 2008 existential drama, “In Bruges”.

Happy Winter Solstice everybody! For those of us in the northern hemisphere, it’s the darkest day of the year, which makes this week’s Christmas flick all the more appropriate. Superstar friend of the pod Jessica Baxter joins us to discuss Martin McDonagh’s feature length debut, In Bruges (2008). Set against the backdrop of a freakin’ medieval fairy tale fantasy, this dark comedy smartly deals with classic religious themes such as guilt and purgatory, but looks at them through a very modern lens. The result, thanks to the brilliant script and impressive performances, is a rich, funny, and eminently watchable ride. Join us for an episode that includes our terrible attempts at Irish accents, a Gleeson family surprise, and a scale that goes all the way up to blobbychongas, this week on Ex Rated Movies!

Listen to the episode on all major podcast apps or click here!

Film Review: Promising Young Woman

I can’t stop thinking about Batman. The protagonist/anti-hero of Emerald Fennell’s divisive debut feature, Promising Young Woman, has so much in common with Gotham’s most famous resident. Cassie Thomas (Carey Mulligan, An Education, Drive) is haunted by the loss of a loved one. Her anger regarding the violence of that loss consumes her to the point that her entire life revolves around taking elaborate, non-lethal retaliation against the portion of the population she deems responsible (mostly CIS, straight, white dudes). As such, her life has stalled. She is incapable of getting close to anyone. She leads a double life. By day she works at her friend’s coffee shop and dresses in youthful pastel florals. She pretends to be OK. But after dark, she dons her costume: rumpled black and white business suits and carefully smeared YouTube tutorial makeup. She hunts the bad guys with an elaborate ruse and then teaches them a harsh lesson.

Cassie has a pretty good system going, too. She feigns blackout drunkenness in order to capture the attention of “nice” guys who want to make sure she “gets home safe.” They inevitably bring her back to their place and wait for her to “pass out.” Once they’re holding the smoking underpants, she breaks character and launches into a lecture on consent. In the morning, she records her encounters in a color-coded journal wrapped in a scrunchie. Though she never explains the key, there are clues to cracking it. Some names are black, some are blue, and some are red. It has something to do with how they respond to her ruse. We never see a red encounter, but there’s no way she’s come out unscathed every time. There are so many names. Page after page of tally marks. Lest we forget the incident that led us here…

Read the rest at Hammer to Nail!

Paid in Puke S4E8: Okja

On today’s episode, we’re falling in love with Bong Joon Ho’s 2017 adventure drama, Okja, starring An Seo Hyun and Tilda Swinton. It’s an anti-capitalist fairy tale, a touching story of chosen families, an exciting action movie, and a remarkable achievement in CGI.

This is our first title with ZERO Hot Probs, and it’s in stark contrast to our lengthy Meaningful Passages segment. This movie simply rules.

It also inspires us to tell stories of children being traumatized at petting zoos. On the Lunchtime Poll, we reveal our favorite animal tear-jerker films.

Paid in Puke S4E7: Girlfight

On today’s episode, we step into the ring with Karyn Kusama’s 2000 debut drama, Girlfight, starring Michelle Rodriguez in her breakout role. Does Adrienne have a point about not wanting to fight a woman in the big match? Does the romance get in the way of the story? What is the point of boxing, anyway? Does Michelle Rodriguez have the greatest frown in cinematic history?

All this, plus a long tangent about dangerous sports, and on the Lunchtime Poll, we reveal our surprise hobby obsessions.

Film Review: Happiest Season

Talented multi-hyphenate Clea DuVall (The Intervention) has achieved nothing short of a miracle with her sophomore feature, Happiest Season. She has made me love a Christmas movie. If you know me, you understand just how grand a feat this is. I have literally said “Bah, Humbug” out loud on more than one occasion. I’m not a full-on Grinch, mind you. Because I have kids, I’ve had to find things to love about the holidays. But you’ll never catch me watching a Hallmark holiday movie marathon. I think A Christmas Story and It’s A Wonderful Life are outdated and overrated. I’d rather roast my own chestnuts than watch Love, Actually or A Christmas Prince. On the other hand, if you told me someone was playing a marathon of Clea DuVall’s queer holiday rom-com, Happiest Season, I would be there with bells on.

Happiest Season follows Abby (Kristen Stewart, Personal Shopper) and Harper (Mackenzie Davis, Tully), a fun, co-habitating couple who are nevertheless fresh enough in their relationship that they have unspoken plans to spend the looming holidays apart. Abby’s parents died when she was 19 and she’s pretty much ignored Christmas ever since. Harper’s parents live in an idyllic town 50 miles outside Pittsburg where her conservative family celebrates the holidays in a major way. In the heat of a romantic moment, Harper invites Abby to come home with her, only to backpedal the next morning. But Abby remains so moved by the invitation that she insists on following through…

Read the rest at Hammer to Nail!

Paid in Puke S4E6: Girls Trip

On this episode, we embark on a Girls Trip with Malcolm D. Lee’s 2017 smash, written by Kenya Barris and Tracy Oliver. Girls Trip stars Regina Hall, Queen Latifah, Jada Pinkett Smith, but for us, it’s the Tiffany Haddish show all the way. The woman positively owns the Meaningful Passages segment today. There are some Hot Probs (that’s not at all how absinthe works), but it’s mostly a riotous good time following the Flossy Posse on their New Orleans adventure. 

On the Lunchtime Poll, we talk about memorial girls trips from our pasts.

Film Review: Ringmaster

Ringmaster is a frosty glass of lemonade made from a sloppy pile of lemons belonging to a man called Zachary Capp. Ringmaster directors Dave Newberg and Molly Dworsky were 2 members of Capp’s crew, originally hired to make a documentary television series called “American Food Legends”. The pilot would feature a mid-western man called Larry Lang and his allegedly unparalleled onion rings. Unfortunately, Capp was an untrained, first-time filmmaker fresh out of gambling rehab and Larry was a reclusive and, ultimately reluctant subject. Newberg and Dworksy manage to pull a decently compelling documentary out of Zachary’s “capp”. Their film begs the question, who is real ringmaster? Is it Larry and his literal onion rings? It is Zachary and his documentary production circus? Or is it Newberg and Dworsky, who secretly began filming Zachary when it became clear to them that his original vision was a windmill and he was Don Quixote?

The first half of the film is more-or-less a long-form version of Capp’s pilot for “American Food Legends” complete with a rockin’ graphic that pops in for the occasional narrative punchline. Fresh out of rehab for a gambling addiction, and looking for a change of pace, Zachary decided to leave his job as CEO of a successful housecleaning firm and use the entirety of his recently-acquired inheritance from his grandfather in order to pursue a lifelong(?) dream of being a documentary film and television director. There are SO MANY things wrong with American capitalist society, but one of the biggies is the notion that people with money can and should follow their dreams by any means necessary and against all odds.

Zachary fondly remembers these onion rings that are inexplicably superior to all other onion rings. Fans describe them as “light”, and “not greasy”, and “better than the Bloomin’ Onion”. Nobody knows what goes into Larry Lang’s secret batter other than himself, his sister, and their father, who started serving them at the family restaurant in the mid-twentieth century. The restaurant burned down, but Larry brought the recipe to a bar in his small town. There, he became a local celebrity and his onion rings were a major draw for the establishment. Zachary tracked Larry down, determined to feature the man and his rings in his pilot. Larry initially agreed to cooperate, but in time, it becomes clear that his sister/caretaker is really the one who wanted to pursue the exposure. She had a taste of the spotlight when she wrote and starred in “Mother Goose Workout” in the 1980’s, and she sings showtunes at the drop of a hat like an aimless Linda Belcher. Larry just wants to make his rings and go home.

Capp becomes obsessed with manifesting the narrative that he’s constructed in his head. He believes that if he pulls the right strings, he can make Larry and his onion rings into a world-famous phenomenon. Capp is enough of a salesman to attract the attention of a racetrack owner, the band KISS, and the owner of the Las Vegas Raiders football team. Zachary could make Larry rich and famous if only he would show up and make his onion rings. The trouble is, Larry is not interested in this at all. He’s a simple man with basic wants and needs that don’t involve being on television or signing any sort of contract. The conflict comes when Capp can’t wrap his mind around Larry’s lack of ambition and Larry is too meek to tell Capp to leave him alone. It’s a bad scene that keeps getting worse and you don’t know how much things will escalate before the end. The creeping dread is bolstered by a flash-forward cold-open that hints at Larry’s mental degradation.   

Capp keeps insisting he’s not a bad guy and he only wants what’s best for Larry. But what happens when you only THINK you know what’s best for someone based on capitalist brain washing and therapy platitudes? What if you forget to check in with the person you’re supposedly helping? Capp seeks the perfect ending for his film by any means necessary while his editor tells him they should work with what they have. One off the most damaging things we’ve been taught as children are that we should keep pursuing our dreams at all costs. Sometimes, it’s better to cut your losses before you do some damage you can’t walk away from.

Still, I’m glad Newberg and Dwrosky knew what to do with the hundreds of hours of footage acquired during this 3+ year debacle. They took the rotting fruits of Zachary’s labor and crafted a meta film about obsession, selfishness, capitalist blinders, and addiction that will stick with you for a lot longer than would have a 30-minute show about onions rings.