On the Season 11 premiere, of Paid in Puke Podcast, we’re checking out Mike Nichols‘ 1990 dramedy, Postcards From the Edge, written by Carrie Fisher, based off her memoir of the same name. It stars Meryl Streep as Fisher’s meta proxy, and Shirley MacLaine as her mother, (a thinly veiled stand-in for Debbie Reynolds). This film was a smash upon release, but has fallen off the radar over the years, despite the A-list cast (many of whom were already famous) and the legendary director. We discuss the uniquely Hollywood problem of being a moderately successful actor when your mother is a showbiz legend, and how hard it must be to grasp reality when your day job is based in artifice, and how sometimes moms can be like that even when they aren’t Hollywood icons.
On the Lunchtime Poll, we reveal what songs we would sing at a coerced post-rehab surprise party.
Stars are just like us! They get coffee, take their kids to the park, and have sordid affairs with their co-workers. Only, when your office is Hollywood, the whole world becomes privy to your dirty deeds. There are many reasons why a star might choose to rehearse their love scenes after hours. Sometimes, their relationship was already as good as over. Often, it’s as simple as an inability to remain monogamous when their partner’s not around. Very occasionally, it’s a matter of finding a love they never thought possible. Or maybe they’re just so bored with the movie they’re making that they can’t help messing around with their hot co-star. Is it a coincidence that most of the films these thespian philanderers used as their own personal Ashley Madison were total flops? Is there something to the Seven Year Itch theory?
Effed by the Wind 