Really Weird Stuff: A Twin Peaks Podcast – The Return, part four – “…brings back some memories.”

On episode 35 of Really Weird Stuff: A Twin Peaks Podcast, we’re reminiscing about Twin Peaks the Return: Part 4, “…brings back some memories.” This episode was written by David Lynch and Mark Frost, and Directed by David Lynch. It’s best known for being the episode wherein Wally Brando stole our hearts, and Gordon Cole told those clown comics to fix their hearts or die. We Stan our trans ally. Special guests Danny Connole and Matt Fisher (Ex-Rated Movies Podcast) join us to explore such mysteries as:

WHY is that kid called Sonny Jim?

HOW deaf is Gordon Cole, really?

WHAT are shadows like?


Plus: Danny points out the Mulholland Dr and Frances Bacon references and tells us what it was like to see the International Pilot of Twin Peaks before anything else!

Listen to the episode!

PS: Listen to Baxter discuss Wild at Heart on Ex-Rated Movies! 

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Really Weird Stuff Special: A Tribute to David Lynch 1946-2025

A note from Baxter, co-host, producer, and editor of Really Weird Stuff: A Twin Peaks Podcast.

I had to pause working on Part 4 of The Return because, as I’m sure you know, David Lynch died today, the 16th of January. 2025.

David felt that numbers were always significant, so I looked up 16 and found this:

“16 is a powerful number that holds spiritual information about you and your destiny. While having 16 in your chart speaks to independence, service to other people, and leading others, it most truly speaks to one thing: wisdom. It points to old souls that have the wisdom to teach and lead others.”

Since he (along with Laura) is the reason for the season, I had to pay direct tribute to him and I had to do it today. If you’re hurting from this loss, you’re not alone. And if you feel alone, watch something David made. It always helps me.

Love, 
Baxter

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Paid in Puke S10E4: Poor Things w/ Megan Metzger

On this episode of Paid in Puke, we’re traversing the wonders of Yorgos Lanthimos’ 2023 fantasy epic, “Poor Things”, starring Emma Stone, Willem Dafoe, Mark Ruffalo, Ramy Youssef, Margaret Qualley, Kathryn Hunter, Jerrod Carmichael, Hannah Schygulla, and Christopher Abbott (Charlie from Girls!). Tony McNamara adapted the 1992 novel by Alasdair Gray. Comedian and media scholar, Megan Metzger, joins us to bask in the glory of this beautiful fantasy about what a woman can be when she develops outside the crushing influence of patriarchal society. 

Megan even manages to find some Heathers parallels! This episode is all about finding your bliss and applying it to the betterment of the world around you.

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Paid in Puke S10E3: Ready or Not

On season 10 episode 3 of Paid in Puke, we’re playing with Matt Betinelli-Olpin and Tyler Gillett’s 2019 horror comedy, “Ready or Not” starring Samara Weaving, Andi McDowell, Adam Brody, and Mark O’Brien. It was written by Guy Busick and R. Christopher Murphy. Olpin and Gilette also joined Busick for “Abigail”, the 2022 Scream reboot, and “Scream VI“.

“Ready or Not” tells the story of Grace, a plucky woman from a modest background, who learns, on the night of her wedding to the heir of a board game empire, that she must play a life-or-death game of Hide and Seek with her new in-laws.

It’s Keggers with Kids all this episode, as Amy’s child, Dash, joins us to talk about why this is one of his favorite horror films, and how it stacks up against Betinelli-Olpin and Gillett’s other films.

The “Ready or Not” script is a rare example of tight perfection, symmetry, and depth that also manages to walk a horror comedy tightrope. It belongs to a fun micro-genre: Evil People in a Mansion.

We also praise Samara Weaving for the fun vibe she brings to her scream queen role, Adam Brody’s recent renaissance, and why we’ve been on the Brody train since David Wain’s underrated comedy, “The Ten”.

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Hammer to Nail Review: The Becomers

Writer/director Zach Clark (Little Sister, White Reindeer) returns with his fifth feature film, The Becomers– a unique pandemic-era allegory with notes of Jonathan Glazer’s Under the Skin, Jim Jarmusch’s Only Lovers Left Alive, and The Coneheads.

When an unnamed alien couple (called X and Y in the script) evacuate their dying planet for the refuge of earth, they are separated, and must enact unimaginable horrors to assimilate to their new surroundings and ultimately reunite. Aided by the universal trauma of the 2020 global pandemic, Clark fits a lot of context into a tight ninety-minute story. The result is an impactful, at times grotesque, occasionally comedic, and wholly romantic depiction of what it takes to regain a sense of normalcy and contentment after losing everything you once knew.

Differentiated only by the color of their pupilless, glowing eyes, X and Y utilize a technology invented by their planet’s scientists, to assimilate on Earth. Unfortunately, in involves stealing the body of a human, at the cost of their life. Worse still, the effect is only temporary, resulting in a string of unwitting deaths in the name of their own survival. They just happen to land in the Chicago area during the uncertain, mask-filled, social-bubble era of our recent past. This timing has its advantages and disadvantages.

The plot unfolds organically, with a voiceover (from Russell Mael of the band Sparks) metering out the events that brought the couple into this predicament. The narrator continues revealing the backstory throughout the present narrative. We learn a bit about the culture of their former lives, and this is where the Coneheads comp comes in. It began with a blind date over “squash steak wraps and black drink” before the couple “connected pods” and made a life together. “There were signs of things to come – the news was strange, scary, yet our little lives were as normal as ever.” They describe a rather familiar set of events that result in their own global crisis, and ultimately, a complete planetary evacuation to save their species…

Read the rest on Hammer to Nail!

Paid in Puke S10E2: Cat Person

On this episode of Paid in Puke, we analyze Susanna Fogel‘s 2023 thriller, Cat Person based on the 2017 short story by Kristen Roupenian, and adapted for the screen by Michelle Ashford, who was the showrunner for Masters of Sex, but most importantly, wrote the teleplay to the abortion episode of 21 Jump Street. The film stars Emilia Jones, Geraldine Viswanathan, Hope Davis, Isabella Rossellini, and Nicholas Braun.

We all had very different feelings about this film, both from our initial watch together in the theater, and after our analytical watches for the pod. Journey with us as we discuss how heavy-handed a metaphor we can tolerate; why Fogel might have tried a bit too hard to cater to a male audience, at the film’s expense; the surprisingly problematic element of the source material; and how Nicholas Braun perfected towing the line between awkward and creepy. 

Plus: Did Harrison Ford ruin a generation of men? 

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Paid in Puke Podcast: S10E1: Abortionpalooza 2024

It’s our Season TEN premiere AND our ONE HUNDREDTH EPISODE! Thank you to all of our listeners! We are thrilled to be back with our third Abortionpalooza, but much less stoked about the fact that thanks to the overturning of Roe V. Wade, uterus-owning Americans currently have less bodily autonomy than they did in Nineteen Hundred and Seventy Three. 

We kick things off with a brief history of abortion depiction on television and examine season 3, episode 5 of the teen cop drama, 21 Jump Street“Whose Choice is it Anyway?”. It originally aired on December 11th 1988 on the Fox network. It stars Holly Robinson-Peete, Stacey Edwards, and Dana Ashbrook (Twin Peaks). The teleplay by Michelle Ashford (Masters of SexCat Person), is surprisingly progressive and they even go so far as to make an anti-choice terrorist the villain. 

Then we tool around with Lily Tomlin and Julia Garner in 2015’s “Grandma”, directed by Paul Weitz (American PieAbout a Boy), and co-written by Tomlin, who put a lot of her own voice in it. Garner plays a high school girl who asks her free-wheeling grandmother (Tomlin) to help her scrounge up enough money to make it to an abortion appointment by 5 pm. Judy Greer, Marsha Gay Harden, Laverne Cox, and John Cho round out a fun supporting cast. 

We touch on themes such as who *needs* to be involved in deciding what to do about a pregnancy (*spoiler alert* it’s pretty much just the person carrying the fetus), where should kids get information about pregnancy and birth control, and why women should be valued for more than just their fertility. 

On the Lunchtime Poll, we reveal some information we wish we had never received.

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Paid in Puke Minisode: Cora Bora

On this very special minisode of Paid in Puke, we’re falling in love with Hannah Pearl Utt’s 2024 comedy, “Cora Bora”, starring Megan Stalter, Ayden Mayeri, JoJo T. Gibbs, and Manny Jacinto, with cameos from Chelsea Peretti and Margaret Cho. The Pukettes got a sneak peek at this hilarious movie that will hopefully propel Megan Stalter to the stardom she deserves. 

Rhianon Jones’ very PDX screenplay tells the story of an L.A. based musician with a tragic past who returns to her home in Portland Oregon on a whim after sensing that her open relationship with her girlfriend in in jeopardy. Megan Stalter owns this movie start to finish. She’s hilarious as always, but also brings out an unexpected dramatic side. We absolutely loved “Cora Bora”, and will definitely give it the full Paid in Puke treatment once it’s out on streaming, but we also want to tell everyone to go see it while it’s still in theaters! As always, there are spoilers, so if you don’t want to know the big reveal about what’s wrong with Cora, see the movie first and then come back and listen to this (or navigate around them*).“Cora Bora” is in limited release starting June 14th, 2024 – around L.A. and New York. It’s not super easy to figure out where and when it’s playing but we promise it will be worth the goog. It opens in Seattle, Washington on June 22nd 2024at the Grand Illusion Cinema, which is a wonderful little arthouse cinema and there aren’t that many of those left so please support small indie movie houses whenever you can. And please throw down some $$ to support “Cora Bora”*Spoilers 10:07-14:20; 16:00-16:26

Listen to the episode here!

Paid in Puke S9E10: The Bling Ring

On this episode of Paid in Puke Podcast, we’re rummaging through Sofia Coppola‘s 2013 true crime drama, “The Bling Ring”, starring Emma WatsonKatie ChangTaissa FarmigaClaire JulianLeslie Mann, and Israel Broussard. Coppola based the script on Nancy Jo Sales’ 2010 Vanity Fair article, “The Suspects Wore Louboutins”. Our returning guest is the Sparkle Queen known as Laura Lawrence (“9 to 5”). Laura has has seen the film many times, jammed out to the soundtrack many MORE times, and brings a shopping bag full of fun facts. 

We also get into the film’s prescience for today’s influencer culture, and why kids are less inclined to aspire to landing “a good job”. On the Lunchtime Poll, we reveal the things we have in such abundance, we might not notice getting robbed.

Listen to the episode here!

Paid in Puke Podcast S9E9: Saltburn

On Season 9, Episode 9 of Paid in Puke, we’re slurping up Emerald Fennell‘s 2023 gothic drama, Saltburn, starring Rosamund Pike, Alison Oliver, Carey MulliganBarry Keoghan, Jacob Elordi, Archie Madekwe, and Richard E. Grant. Fennell wrote her original screenplay during lockdown, and filled it to the brim with foreshadowing, symbolism, entendre, and myriad literary references. We’re here to celebrate this carefully-constructed masterpiece, dive to the deepest of the layers, and, of course, appreciate the visual splendor.

It’s Keggers with Kids all this episode, with Logan Green, who has answers to your burning questions, and a tub full of fun facts.  

On the Lunchtime Poll, we reveal which songs people MIGHT think were written about us (“She came from Greece! She had a thirst for knowledge!”).

We ate this movie up and licked the f*cking plate. Come to Saltburn and get lost with us!

Listen to the episode here!