Paid in Puke Podcast: S10E1: Abortionpalooza 2024

It’s our Season TEN premiere AND our ONE HUNDREDTH EPISODE! Thank you to all of our listeners! We are thrilled to be back with our third Abortionpalooza, but much less stoked about the fact that thanks to the overturning of Roe V. Wade, uterus-owning Americans currently have less bodily autonomy than they did in Nineteen Hundred and Seventy Three. 

We kick things off with a brief history of abortion depiction on television and examine season 3, episode 5 of the teen cop drama, 21 Jump Street“Whose Choice is it Anyway?”. It originally aired on December 11th 1988 on the Fox network. It stars Holly Robinson-Peete, Stacey Edwards, and Dana Ashbrook (Twin Peaks). The teleplay by Michelle Ashford (Masters of SexCat Person), is surprisingly progressive and they even go so far as to make an anti-choice terrorist the villain. 

Then we tool around with Lily Tomlin and Julia Garner in 2015’s “Grandma”, directed by Paul Weitz (American PieAbout a Boy), and co-written by Tomlin, who put a lot of her own voice in it. Garner plays a high school girl who asks her free-wheeling grandmother (Tomlin) to help her scrounge up enough money to make it to an abortion appointment by 5 pm. Judy Greer, Marsha Gay Harden, Laverne Cox, and John Cho round out a fun supporting cast. 

We touch on themes such as who *needs* to be involved in deciding what to do about a pregnancy (*spoiler alert* it’s pretty much just the person carrying the fetus), where should kids get information about pregnancy and birth control, and why women should be valued for more than just their fertility. 

On the Lunchtime Poll, we reveal some information we wish we had never received.

Listen to the episode!

Metrograph Presents: It Happens To Us: Abortion In American Film (CITIZEN RUTH)

Alexander Payne’s 1996 directorial debut Citizen Ruth harkens back to a quaint time when Roe V. Wade seemed like a done deal and the public debate about whether or not a person should have agency over their own uterus was just that – a debate. Sure, there have always been plenty of folks who believe it their duty to shame pregnant people, lie to them about gestation milestones, and even literally stand between them and the abortion clinic. But back then, the law was generally on the side of the person who owned the body in question. As a forward-thinking individual, there’s not much I miss about 1996. But I do desperately miss the Me that believed abortion access was an inalienable right.

In Payne’s satirical comedy, Laura Dern plays Ruth Stoops, a chemical-huffing, unhoused young woman who finds herself at the center of the abortion debate when a judge offers to drop her drug charges if she terminates her pregnancy. Ruth has two children in state custody and two children living with her brother. When we first meet her, she’s having some very lackluster intercourse with a gross dude in exchange for a place to stay. He kicks her out the second he shoots his load of baby batter inside of her, despite their pre-coitus agreement. She is in less-than-ideal circumstances to bring another child into the world, even if she wanted to (she doesn’t). But, when a Christian fundamentalist group called the Soldiers of Christ cross her path in jail, they see Ruth as an opportunity to further their own anti-choice agenda.

Citizen Ruth is a delectable buffet of 90’s character actors, including Swoosie Kurtz, Kurtwood Smith, Alicia Witt, Mary Kay Place, and Diane Ladd. Dern as Ruth Stoops is the roast beef carving station of this entertaining spread. She’s in her comedic prime, screaming colorful profanities and emotionally swerving on a dime. In general, Dern is a criminally underrated physical comedian. Here, she hurtles her body through the scenes like a baby giraffe possessed by a strung-out Miss Piggy. Dern has said in interviews that she has never felt freer in a performance than she did playing Ruth. She sure looks like she’s having fun, and she’s a delight to watch as well. She finds the profound poetry in lines like, “Suck the shit out of my ass” and “You want to send a message? I ain’t no fuckin’ telegram, bitch!”. As the Soldiers of Christ would say, thank God for her. Without that holy acting talent, this movie would fall apart…

Read the rest on Hammer to Nail!

Paid in Puke S6E9: Dirty Dancing

On today’s episode, we’re carrying a watermelon for Emile Ardolino’s 1987 romantic drama, “Dirty Dancing”, starring Jennifer Grey, Cynthia Rhodes, and Jane Brucker. It’s a slumber party classic for women of a certain age. We reminisce about how much of the plot we understood when it first came out, Johnny’s chaotic energy, and the short-shrifting of Lisa Houseman. 

On the Lunchtime Poll, we discuss memorable moments from our youth that resulted in our radicalization. 

Paid in Puke S6E3: Abortionpalooza 2021

On today’s episode, we’re discussing the tragic state of underage abortion rights in the United States through thematically similar, but tonally opposite films: Eliza Hitman’s 2020 drama Never Rarely Sometimes Always starring Sidney Flanigan and Talia Ryder; and Rachel Lee Goldenberg’s 2020 comedy, Unpregnant, starring Haley Lu Richardson and Barbie Ferriera. 

There are some Hot Probs, but these films are both great in their own right and feature some really incredible debut performances.

Despite the heavy subject matter, we manage to keep it light on the Two Lunchtime Polls for the Price of One! 

Paid in Puke is available on all major podcast platforms or you can download this episode directly by clicking here!

Paid in Puke S1E5: Abortionpalooza 2019!

abortionpalooza 2019 episode image

In this episode we compare and contrast Alexander Payne’s 1996(!) debut, Citizen Ruth (starring the magnetic Laura Dern) with Gillian Robespierre’s 2009 debut, Obvious Child (starring our dream BFF, Jenny Slate). Both are about abortion. Who gets it right? Who gets it wrong?

Also, we rant about our pregnancy trope pet peeves and discuss how far into a relationship one waits before they fart in front of their paramour.

PS: We have since learned that Gillian Robespierre pronounces her first name with a hard G. Our apologies for the (repeated) error.