Of forget to anode

WEEKEND RECAP

FRIDAY

At Dom’s behest (and with Gadzook money), Faye and I agreed to have “Plight of the Living Dead” read by a professional…um…guy who reads scripts and offers constructive criticism. The process is called “Script Coverage”, but I don’t know what you call one who covers scripts. A Coverager? Anyway, we did it, and we met with the guy on Friday to discuss his notes. Faye and I were very nervous about the whole process. What if the guy just doesn’t understand our humor? What if he doesn’t even LIKE zombie movies? Well, we got his notes ahead of time, and they were mostly positive. But there were a few things in there that made us a little defensive. It’s VERY hard to take yourself out of a script you’ve been writing for 4 years. The guy (Matt was his name) had some good suggestions, and overall, he really liked the script. He said so several times. In fact, he said that if we were to start shooting tomorrow, we would have a good, cult-status movie on our hands. But if we revised a few things, we would have a GREAT movie that may even become a sleeper hit. So that sounds pretty good, right? Well, yes. It is. But like I said, it’s really EXTREMELY hard to step back from your work. So Faye and I, at first, felt like we had just gone to a parent-teacher conference wherein the teacher tells you your child, your pride and joy, is very intelligent but is they are performing below their potential and will need some tutoring or maybe to be placed in special ed. It was extremely traumatic for us. Luckily, we HAD read his notes before meeting with him so we had some time to lick our wounds and sleep on it. By the time we met with him, we had realized that he had quite a few good ideas. So now, Faye and I will do one more draft of the script before the end of August. We spent the rest of Friday evening getting drunk with Matt. He’s a cool guy which, at least for me, made the taking of the critical medicine that much easier. Anybody who loves “Human Nature” and “Swamp Thing” is definitely coming from a similar place. Maybe that was his plan all along…
Unfortunately, I was going on an almost empty stomach. Since we started out at the Coastal Kitchen (what’s up, pricey), I decided to wait on getting a snack, thinking we would only have one drink there. We had two. And then we moved to the Canterbury where I got another drink and a half in me before any food arrived. I was very dipleased with my order of garlic bread. Sorry, dears. Stale bread that’s been lightly buttered and sprinkled with garlic salt before being burned in a toaster oven is NOT Garlic Bread. Matt was kind enough to share his fries with us, however. Regardless, the lining of the stomach with carbs was too little too late, my friend. Too little, too late.

SATURDAY

Horrible raging hangover, check. Wasting the entire morning nursing said hangover, check. While I drank glass after glass of water and waited for the pain medication to kick in, I watched Confessions of a Dangerous Mind again. Great flick. I like that Clooney fellow. I think he has quite a bit of potential. Honestly, his direction harkens back to the 60’s and 70’s when making a movie was more than just filming scenes. It was about telling a story through pictures. Some of the composition is just beautiful. My only criticism of the film (besides Drew Barrymore) is that Clooney didn’t really pick a visual motif and stick with it. He kind of looks, at times, to be experimenting. Overall, however, I’m impressed. Sam Rockwell is an incredible actor. And also one of those not terribly attractive men who can convince you to have a crush on him based on charisma alone. In light of that, who am I to argue with a film that requires Sam Rockwell to be naked for over a third of the scenes? It helps with the pain, I’ll tell you what.

So around 3:00, I was still hung-over, but nursing time was over. I had to get ready to go to a short screening at the Rendezvous (for another Matt. Remember, kids. If you can’t remember the name of a male filmmaker, chances are they are called Matt, Mark or Eric). It being a beautiful day, Dom and I had planned to walk, but because of my useless ass, we didn’t get out of the house until 10 to 4, and we were supposed to be there at 4:15. Thank Christ for the Focus. We sped downtown and found a parking spot fairly easily. Matt was kind enough to show a trailer for “Snow Day” before his short, “Merlot” screened. We got out of there at 5 and had to speed back up the hill to meet the 48-Hour Film Challenge team at Linda’s. Why were we meeting? Because we WON, motherfuckers! Pretty cool. We had dinner and a few rounds there before Faye and I decided we needed to exodus. We aren’t fans of Linda’s and only showed up there because that was where the two fellows who suggested the party wanted to go. Sherrard came with us and Ryan and The Kidd went downtown “for a bit”. Needless to say, we didn’t see them again for the rest of the night. We ended up the Satellite, and I once again attempted to find some satisfying garlic bread. To no avail. This time it was some kind of basil infused tapanade over crustinis. NOT GARLIC BREAD. Kayobi and (yet another) Matt came by and later, Dom, Borgia and Cherry left Linda’s to join us.
When you start your evening at 6:00, coming him at 12:45 doesn’t seem so early. Still, I convinced myself I needed to watch a movie, so I put in Dark City. I fell asleep before Murdoch even meets Dr. Schreber.

SUNDAY

T’was a typical Sunday in many ways. I did some chores and Dom and I went to the grocery store. This time, however, we went to Trader Joe’s. We spent ABOUT the same as we would at Safeway, and we got some really healthy stuff. So we both feel pretty good about it. For lunch, we had Trader Joe’s tomato and roasted red pepper soup and grilled cheese on organic wheat bread and it was a delicious meal. If we don’t get lazy, I think we’ll really be able to pull off this whole “healthy eating” thing.

Kayobi and I have been trying to convince each other to go to one another’s yoga class for a while now. Yesterday, she finally convinced ME to go to HERS. I usually do Bikram Yoga, which is the “hot yoga”. The whole thing takes place in a room that’s heated to 106 degrees. This is meant, mainly, to make you more limber. So my first concern with Kayobi’s yoga was that I wouldn’t be able to do any of the positions without the presence of the heat. Right away, I could tell that these were two completely different schools of yoga. Besides the lack of heat, the studio also has hardwood floors. The class starts off with some meditation (instead of just the breathing at Bikram), and the teacher reads a poem. Then the teacher turns on some New Age music (no music at Bikram) and we get into the positions, which, I noticed all too well, were very hard on my knees. And not just the standing positions. The floor positions are all very knee-oriented as well. At the end of the class, we did some more meditation and the teacher read another poem. I was disappointed that I didn’t feel nearly as worked as I do at Bikram. I was sweating, but I missed that overall weary feeling that Bikram gives me. The feeling that lets me know that I just worked out every single muscle in my body. Maybe if my knees weren’t so weak, I would have gotten more out of it. But I also really like the down-to-business aspect of Bikram. The class lasts an hour and a half and we work out for the WHOLE hour and a half. At Kayobi’s place, we spent at least half an hour chanting or meditating. I can see how that would be good for some people, but I go to yoga to work out, not to meditate. I have never been able to meditate. And it’s not that Bikram isn’t spiritual. It is. But the whole “clear your mind, let your negativity go” stuff happens WHILE you’re in the positions. It’s the ultimate yoga for multitaskers. And, as my resume clearly shows, that is ME, baby!
Today I am sore in places that I shouldn’t be, like my knees and the portion of my spine that juts out at the base of my neck. In fact, I’m less sore and more bruised. I blame the hardwood floors. I don’t think I’ll be going back to that one. That’s not too say that I will never try anything else but Bikram. But I am fairly convinced that Kayobi’s place is not for me. Once again, I feel very fortunate about the circumstances under which I first tried yoga. If I hadn’t gone to the Sweat Box on that day, with that amount of energy, I might have written off all of yoga as something that “isn’t for me”. (Of course, it stands to reason that I really shouldn’t write things off so readily.) Next week, Kayobi’s going to come with me to the Sweat Box. I have a feeling she’s going to HATE it. :)
When I got back, I made dinner and Dom and I watched Dr. Who (which was SO good! It’s all I can do to keep from spending $80 on the whole season at Amazon.co.uk!) After dinner, I did some work and then popped in “Midnight Cowboy”, which I’d never seen. It made me a little sad that so few people try to make movies like that anymore. Movies in which the cinematography is just as important to the story as the script. It also struck me that there were really only two pieces of music in the film. At first, I was put off by it, but by the end, I couldn’t have seen it any other way. Music is another thing that seems to be so secondary in films today. I was struck by that when watching The Devil’s Rejects too. The soundtrack to that film is PERFECT and was obviously very carefully selected. Probably the reason music has taken a backseat in films these days is because it’s so hard to secure the rights to music. Faye and I have a couple songs written into our script and we’ve been told over and over again that we shouldn’t make reference to a particular song because it frightens off investors. But we didn’t just write in songs we happened to hear on the radio at the time or anything. We try and write scenes to Tangents songs just because we’d have more of a chance getting the rights. We chose them because those are THE songs we want there. Still, sometimes restrictions work in your favor. The music in the original Donnie Darko is perfect and a lot of those songs were compromises for Richard Kelly. I still haven’t seen the Director’s Cut to decide if he was right all along. But what he ended up with the first time worked really well.

At this point, I’m rambling. Sorry about that. Boredom is a bitch.

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