This review bothers me. It’s a review of the new SCTV and Kids in the Hall DVD’s by Sean Nelson. I don’t know why I’m surprised that someone from The Stranger doesn’t like something. I guess it’s because that particular author has expressed a love for Mr. Show in the past. So I only assumed that he would appreciate the genius of the Kids in The Hall as well. I can’t speak for SCTV. I honestly never saw more than clips of that show (on clips shows about comedy). But I CAN defend my favorite 5 comedians from Canada. I realize that Mr. Show is the greatest (and most timeless) social and political commentary that America has in the way of comedy. But sometimes you need a little light-hearted abstraction in your sketch shows. The Kids in the Hall are that for me. And occasionally they WERE kind of dark. (Especially anything that Bruce McCulloch did). So maybe the Chicken Lady got a little old by the third sketch. But you can’t deny Dave Foley’s performance in the first one (particularly his delivery of the line “A beer” in response to the question “Can I get you a beer or would you rather just drink out of the toilet?”). You can’t deny the genius of “sarcastic guy” or the fun of “Daves I know”. Bruce’s troubled teenager character is hilarious and accurate (at least for any girl who was friends with a burnout guy in high school). And what about the Nutty Bunnies? Or Police Department? Or ANY of Bruce McCulloch’s monologues ( “That’s America” especially). Sure, you can mention all the most popular sketches and dismiss them as being played out or unimaginative. But that’s the nature of ANYTHING that can be called “the most popular”. It’s the lesser known gems that I love. Maybe it’s because I never stopped watching Kids in the Hall. I watched the reruns on Comedy Central and then I watched my tapes of those reruns. Seeing the guys live at the Paramount a few years ago was a highlight of my show-going career. I laughed heartily at material both old and new. Maybe they didn't have the biting, unforgiving humor of Mr. Show. But they certainly had a charm all their own. Maybe the work they’ve done since has been embarrassingly awful (with the exception of Bruce McCulloch’s brilliant first album) but there was a time when they were a refreshing voice in alternative comedy. And I’m glad I’m not too much of a bitter old hipster to appreciate that.