Paid in Puke Podcast Special: The Pukettes Interview w/ Ann Magnuson!

Welcome to our bonus interview with Ann Magnuson. In addition to behind-the-scenes look at filming “Making Mr. Right” in Miami in 1986, Ann discusses her early influences and media consumption, coming up in the 70’s NYC and London punk scenes, why her appearances in Hollywood films were rare, a juicy tidbit about the casting process of “Fatal Attraction”, the roles on her resume that are closer to her real persona, and auditioning for SNL. She’s living the true Art Life. We could have listened to her for hours. We hope this interview inspires you to dive deep into Ann’s staggering back catalog and then make some art of your own. As Ann says, “There’s no time to waste!”

Ann Magnuson Instagram

Ann Magnuson website

Buy a signed copy of new Blu-Ray of Making Mr. Right!

Ann’s You Tube channel


Paid in Puke S5E3: Bridesmaids

On today’s episode, we’re bonding over Paul Feig’s 2011 comedy, Bridesmaids, starring Kristen Wiig, Maya Rudolph, Rose Byrne, Melissa McCarthy, Ellie Kemper, and Wendi McLendon-Covey. For a hard-R comedy, it sure has a lot of layers and nuance regarding the feminine experience. For us, it brings up everything from the pressure of wedding culture to pushy boyfriends with a stopover at body grooming stigma. We also pay tribute to our favorite Wiig SNL characters, and call bull on the notion of sacred orifices.

On the Lunchtime Poll, we talk about men we dated who wouldn’t be named in the credits of our lives.

Seattle International Film Festival 2018 Wrap-Up

ef87bb37d9eeb0f90349e88ae209cf63562e9e06The 2018 Seattle International Film Festival ran from May 17th to June 10th. That’s 25 solid days of movie madness. It kicked off with the premiere of Isabel Coixet’s The Bookshop, starring Emily Mortimer as a widow who uses her “bibliophilia” to open the hearts and minds of the conservative residents of a small English town.

SIFF’s juicy centerpiece was a movie that will undoubtedly take America by storm in the coming months: Boots Riley’s Sorry to Bother You. Riley was on hand to introduce his surreal social justice comedy to a sold-out crowd.

Gus Van Sant closed out the fest with Don’t Worry, He Won’t Get Far on Foot. The latest offering from the veteran indie director stars Joaquin Phoenix as John Callahan, a celebrated Portland cartoonist who struggles with substance abuse and being confined to a wheelchair.

Melanie Lynskey spent an afternoon talking to fans about her impressive career and promoting Megan Griffiths’ latest outing, Sadie. Lynskey stars as a working-class single mother who underestimates her angry teenage daughter (Sophia Mitri Schloss).

People often ask me for recommendations from the festival, and I’ll have 1 or 2 titles to tout. But there were so many standouts this year, that my answer is, “How much time to do you have?” I try to focus on female-centric films and this year’s lineup made it easy…

Read the rest at Hammer to Nail!

Film Review: Mr. Roosevelt

Noël Wells’ feature debut is not expressly autobiographical, but there are certainly many parallels between the flailing comedian protagonist and the writer/director/star of the film. Wells was on one season of SNL, but really turned heads as Aziz Ansari’s season 1 paramour on Master of None. Her first film proves that though she’s a talented actress, she’s an even better writer and director. Those others were just holding her back…

Read the rest at Hammer to Nail!

Hammer to Nail: The Complete History of Seattle


The Complete History of Seattle doesn’t just eschew the band documentary formula. Nick Toti’s film, which is mainly about 90s Christian experimental punk group, Raft of Dead Monkeys, binges on the genre and then simultaneously craps and barfs it back up. Believe it or not, this is not a criticism. It’s quite refreshing and exciting to watch something from a typically formulaic genre and not have any clue where you’ll end up.

Part of the reason the film is structured this way is due to Raft of Dead Monkeys’ wholly unique stage show. The band rose from the ashes of 90-Pound Wuss and Roadside Monument – two popular Christian punk bands that were darlings of the faith-based Seattle indie label Tooth & Nail. Taking their name from a throwaway joke in an Adam Sandler SNL skit, they were not your garden variety Christians. Raft’s music was particularly profane and noisy, and their performances invoked many provocative images including bloody crucifixions, fascism, monkeys barfing bananas, male and female go-go dancers, and sexy junkie nurses (played by their wives and girlfriends). At the time of their formation, the band members were feeling disillusioned and alienated from both their fellow Christian musicians and the secular punk scene at large. According to their manifesto, they were attempting to create the music that would usher in the apocalypse. In response to feeling shunned, they basically became Christian anarchists…

Read the rest on Hammer to Nail!

SIFF Event: An Afternoon w/ Molly Shannon

Molly Shannon is a Superstar. Maybe not in the same way that Beyonce or Lady Gaga are Superstars – she’s not an ethereal, looming presence, so much as an awesome person who also happens to be a tremendously gifted comedic and dramatic actor. She first gained notoriety in 1995 when she joined the cast of Saturday Night Live, where she remained for 6 seasons. During that time, she introduced the world to such indelible characters as Mary Catherine Gallagher (“When I get nervous, I stick my hands in my armpits and smell ‘em like this”) and Sally O’Malley (“I’M 50!”). Her characters were hilariously offbeat, but also oddly inspirational because of their unwavering drive and confidence.

On Sunday, May 22nd, the Seattle International Film Festival presented “An Afternoon with Molly Shannon.” After a brief retrospective of her work, (including clips from film and television comedies like SuperstarWet Hot American Summer and Seinfeld, and comedic dramas like Me, Earl, and the Dying Girl and Addicted to Fresno), Variety deputy awards and features editor Jenelle Riley introduced the effervescent actress, who revealed that she was fulfilling a childhood dream by sitting in front of a large audience, answering questions whilst sipping a hot beverage from a mug. “Sorry, your drink is cold,” Riley apologized. Even Molly Shannon can’t have everything…


Read the rest on Hammer to Nail!

Film Review: Other People


There have been so many movies made about people dying of cancer; it’s practically become its own genre. Some films are melodramatic almost to the point of glamorizing the disease, as the beautiful stars remain beautiful to their last breaths, spouting tearful platitudes and seeming almost wistful about their imminent demises. Some films are, thankfully, more truthful portrayals of how this all-too common disease absolutely demolishes the lives of anyone it touches. Chris Kelly’s phenomenal debut feature, Other People, not only falls into the latter category, it epitomizes it. In this semi-autobiographical tragicomedy, Jesse Plemons (TVs Fargo, Breaking Bad) plays David, a thirty-year-old New York Based television writer who returns to his hometown of Sacramento to help care for his mother (Molly Shannon, Saturday Night Live, Wet Hot American Summer), who is dying of a rare and particularly aggressive form of skin cancer. David struggles not only to come to terms with his mother’s condition, but also to connect with his younger sisters (Maude Apatow and Madisen Beaty) and his father (Bradley Whitford, TVs Transparent and The West Wing) who refuses to acknowledge the fact that his son is gay. The title refers to the fact that cancer is the sort of thing that happens to “other people”, only now, they are the other people.

Other People is the sort of movie that I find it hard to recommend, because despite the fact it is an outstanding movie, it will also ruin your day, especially if you’ve seen a loved through terminal cancer. There are moments that are practically unbearable to watch, because of their haunting accuracy. But despite the fact that you will need an entire box of tissues to make it through this movie, there are well-timed moments of levity, preventing the characters from tumbling into the abyss of despair. These moments happen organically as they do in life. A tone-deaf acquaintance interrupts David as he’s telling his friends about his mother’s condition, ignoring the tears in everyone’s eyes and hijacking the conversation with her own “struggles”. David finds his parents in jovial hysterics after having eaten too much pot butter. An amusingly self-assured pre-teen (J.J. Totah) converses with David when he comes to visit his older brother, David’s childhood friend. Later, said pre-teen puts on a risqué, Lady Gaga-esque show stopping number at his dad’s birthday party. Jokey exchanges between characters lighten the mood. David’s grandparents (June Squibb and Paul Dooly) make endearingly off-color comments, as only grandparents can. Molly Shannon’s character, Jo, is herself a hilarious person until she becomes too sick to make jokes.

As he cares for his mother, David also struggles to find a writing job, deals with the aftermath of a long-term relationship, and has an epically disastrous OK Cupid date. Even as his mother’s life is nearing an end, David’s must go on. But he finds it understandably difficult to do anything other than try to process the fact that he is about to lose the only person in his life who loves him unconditionally. His biggest challenge is to figure out how to keep his mother’s memory with him after she is gone. Shannon and Plemons have phenomenal mother/son chemistry and their scenes together are the heart of the film.

The film does end on a slight up-note (as up a note as a movie like this can possibly strike). But you’re going to be ugly-crying until the credits roll. Just be prepared for that. Other People is a truly fantastic film. It’s raw, poignant, hysterical, and so dreadfully authentic. I do hope, for Chris Kelly’s sake, that his next film is inspired by a much nicer life experience.