Paid in Puke Podcast S9E3: But I’m a Cheerleader

On season 9, episode 3 of Paid in Puke, we’ve got spirit for Jamie Babbit’s 1999 satirical comedy, “But I’m a Cheerleader”, starring Natasha Lyonne, Clea Duvall, Melanie Lynskey, Cathy Moriarty, Katharine Towne, Mink Stole, RuPaul, Bud Cort, and for 5 seconds, a Dawson’s Creek-era Michelle Williams.

Special guest Kate Preusser, managing editor at Lookout Landing* joins us to talk about why this is one of two influential films from her early twenties (the other being Showgirls). Still, Kate had the most Hot Probs, in relation to representation and some of Megan’s toxic traits. 

Kate also brings to us some Fun Facts, as well as the not-so-fun bad takes from the (mostly cis male) critics of 1999 that saddled this delightful film with a low Rotty T score that persists to this day. 

Baxter’s offspring joins us on Keggers with Kids, and on the Lunchtime Poll, we reveal things we didn’t know about ourselves until someone else pointed it out.

Listen to the episode here!

Paid in Puke S5E6: Hard Candy



The second half of Series 5 kicks off with Peter Jackson’s 1994 crime drama, Heavenly Creatures, which introduced two phenomenal actors at once: Kate Winslet and Melanie Lynskey. It’s based on the true story of two mid-century teenagers in New Zealand (Pauline Parker and Juliet Hulme) who, lost in their own an imaginary world, enact a murderous plot to stay together against their parents’ wishes.

It’s a very special episode-long Keggers with Kids segment, as we’re joined by 14-year-old Logan G, who shares their masterful powers of perception with us on the nature of the girls’ friendship and who is really “to blame” in this terrible case that rocked a nation.

On the Lunchtime Poll, we talk about Honora almost skipping dessert before she’s “moidered”, and we share what we hope we would have done if we had no tomorrow.

Listen here!

Seattle International Film Festival 2018 Wrap-Up

ef87bb37d9eeb0f90349e88ae209cf63562e9e06The 2018 Seattle International Film Festival ran from May 17th to June 10th. That’s 25 solid days of movie madness. It kicked off with the premiere of Isabel Coixet’s The Bookshop, starring Emily Mortimer as a widow who uses her “bibliophilia” to open the hearts and minds of the conservative residents of a small English town.

SIFF’s juicy centerpiece was a movie that will undoubtedly take America by storm in the coming months: Boots Riley’s Sorry to Bother You. Riley was on hand to introduce his surreal social justice comedy to a sold-out crowd.

Gus Van Sant closed out the fest with Don’t Worry, He Won’t Get Far on Foot. The latest offering from the veteran indie director stars Joaquin Phoenix as John Callahan, a celebrated Portland cartoonist who struggles with substance abuse and being confined to a wheelchair.

Melanie Lynskey spent an afternoon talking to fans about her impressive career and promoting Megan Griffiths’ latest outing, Sadie. Lynskey stars as a working-class single mother who underestimates her angry teenage daughter (Sophia Mitri Schloss).

HIGHLIGHTS:
People often ask me for recommendations from the festival, and I’ll have 1 or 2 titles to tout. But there were so many standouts this year, that my answer is, “How much time to do you have?” I try to focus on female-centric films and this year’s lineup made it easy…

Read the rest at Hammer to Nail!

FILM THREAT INTERVIEW: THOMAS BEATTY & REBECCA FISHMAN of “THE BIG ASK”

Premiering at the 2013 Seattle International Film Festival, “Teddy Bears” enjoyed a festival tour before Tribeca Film picked it up for distribution, changing the title to “The Big Ask” in the process. The fickle desert of Joshua Tree serves as the ideal backdrop to the (somewhat) true story of a man (David Krumholtz) who surprises his friends during their vacation with his nervous breakdown in the form of an indecent proposal. I reviewed the film when it played at SIFF and it was one of my top picks from the festival that year. I was pleased to hear that “The Big Ask” would reach a larger audience thanks to its V.O.D. release on June 30th. I recently caught up with co-directors/married couple, Thomas Beatty and Rebecca Fishman, at their home in Los Angeles where they were still adjusting to having a new human baby on top of promoting what they consider their first-born, a feature film.

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