H2N Review: Little Sister

Zach Clark’s follow up to 2013’s White Reindeer, shares plot points with some rather trite films. In Little Sister, Addison Timlin plays Colleen, a woman in her early twenties who returns to her childhood home and her troubled, semi-estranged family in order to tie up emotional loose ends before making a major life change. If this were a Cameron Crowe or Zach Braff joint, the protagonist would meet a manic pixie dream person, dance quirkily to indie music, and do something cathartically impulsive, all while falling in love with said pixie. A blow-up with family members would trigger a revelation about her impending life change, and she would rejoin her life-in-progress with renewed hope and a new relationship basket containing all of her eggs.

Fortunately, Zach Clark is neither a Braff nor a Crowe. His protagonist, once a full-fledged Goth, has rebelled against her troubled family by joining a convent. She is only one rite away from cementing her lifetime commitment to God. Because of Colleen’s cultural roots, the soundtrack contains barely an acoustic guitar or crooning sad sack (we’re instead, serenaded with deep cuts from Gwar). Better still, because of Colleen’s vows, there is no manic pixie anyone. Colleen interacts only with her parents, her childhood pal, and her older brother, Jacob (Keith Poulson). Jacob is an Iraq war vet who recently returned home after an explosion disfigured him and fried his lungs. Colleen’s stoner parents are the ones doing most of the drugs…

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