Less Than Meets the Eye

X-Posted to the the Reel.

It was always going to be tough for me to see Transformers. For 6-Year-Old Baxter, Optimus Prime was a role model, an icon and even a little bit of a crush. I both loved and was destroyed by Transformers: The Movie, the original animated feature in which my precious Optimus bravely sacrificed his life for the good of Earth and the Autobots. I was actually inconsolable about the death of Prime for weeks after my mom took me to see the film. It was one of the most unforgettable, and possibly one of the most significant moments of my childhood. There was little chance that anyone could have made a live-action Transformers film 20-some years later that would stand up to the memory of MY Transformers, and specifically my Prime.

But why, oh why did it have to be MICHAEL BAY?! You guys have all seen Pearl Harbor, right? Armageddon? The ISLAND?! Crap crap CRAP. And not in a good, Paul Verhoeven kind of way either. Unbelievably bad writing, terrible, forgettable action sequences. People are fooled into thinking his movies are exciting because (I suppose) he blows things up constantly. But they aren't good action films. Are any of those explosions as memorable as, say, the car chase scene in Bullit? (San Fransisco sure has a lot of hills!) or the foot chase scene in Point Break? (Swayze throws a DOG at Keanu to slow him down!) The answer is no. They're not. All I remember from Armageddon is the cheap tear-jerker moment when Bruce Willis is about to die so that Liv Tyler can marry Ben Afleck. All I remember from The Island are pretty people running around in white outfits and yelling a lot. All I remember from Pearl Harbor is…well, I try not to remember ANYTHING about that one.

Transformers isn't much different than the rest of the Bay catalog. He wastes plenty of time on extraneous scenes that supposedly provide Bay's idea of character development. His characters don't develop any further than if they were caricatures drawn at the carnival, engaged in their favorite activity. There's the brave solider (Josh Duhamel) who is about to risk his life to save the U.S. of A. and has a wife back home and a baby daughter he's NEVER MET! There's the hot Australian hacker chick with heavy eyeliner who discovers the Decepticon's plot to infiltrate the government's top secret files. She involves her fat funny hacker friend who loves Dance Dance Revolution because he's the ONLY ONE who can help prevent the Decepticons from getting the information! Or IS he? He never actually does anything other than eat donuts, dance with his brother and get sassed at by his mamma. But he sure is hilarious. Because he's fat.

There's also a hottie love interest who is “more than meets the eye” (new drinking game! smash a beer bottle over your head every time someone in the movie says that line!) because even though she's hot and hangs out with dumb jocks, she also has a convict for a daddy and knows how to steal cars. Great! Now she has one and a half dimensions!


Semper Memento.

And what about our main human character? I do love that Shia LaBeouf. If there were a stock market for actors, I would have bought shares in LeBeouf a long time ago. He's going to be huge. But the things Bay had him say and do in Transformers aren't doing his dramatic stock any favors.

All in all there are at LEAST 5 characters and as many scenes that could be cut completely from the 2-and-a-half hour long movie. Everything else could be tightened. How many times do we need to see robots smash into buildings? And, what would be left after a major editing overhaul would STILL suck. Even without the pilfering of my childhood, this movie is still trite, aimless, cliche, self-important, cheesy, and often, kinda boring.

And WITH the childhood pilfering? Well, I'm still not sure if it's better or worse that they used the original voice of Optimus Prime. I was happy to hear it again, but not happy to hear it come out of that pointy, unlovable re-imaging of Prime. It would have sucked to hear a new actor try to be the hero that I loved, but it was equally difficult to hear them lift dialog directly from Transformers: The Movie as Prime was about to square off with Megatron. It recalled the better film, the better version of the characters, and the heartbreakingly heroic death scene in the original. Basically, it reminded me, as if I needed more reminders, that I was watching crap.

I think I have a few happy childhood nuggets left. Does anyone want to call Baz Luhrman and have him direct a musical version of Clash of the Titans starring Dane Cook?

"You Kill Me" Kills Me

X-Posted to the the Reel.

Movies about Hit Men with a Heart of Gold are played out. Seriously. There is nothing new you can do with them. They will never be as funny as “Grosse Pointe Blank” or as touching (inappropriate relationship with little girl aside) as “The Professional”. Yet I like Ben Kingsley and Tea Leoni so I thought I'd give “You Kill Me” a…ahem…shot.

The first thing I noticed at the screening for “You Kill Me”, was that this was the same audience who attended the SIFF “Death at a Funeral” premiere. In other words, everyone was old. Apparently, the new Retiree Generation likes their comedies like they like their coffee at Denny's. Black and stale. This is comforting, in a way, because it's nice to know that when I'm old I won't necessarily choose to be at home watching Matlock reruns when I could be at the cinema. Unfortunately, it also means that I will be out uproariously enjoying movies that are mostly lame.

“You Kill Me” is the story of Frank Falenczyk, a Gold-Hearted Hit Man with a bit of a drinking problem. When his drinking causes him to botch a very important job, his employers, who are also his family, ship him off to San Francisco to dry out. There he meets a bespectacled (and grossly underused) Bill Pullman who is there to make sure he stays on the wagon. Frank begrudgingly attends his first AA meeting, and encounters Luke Wilson, as the harmless gay punchline who later becomes his sponsor. Pullman also scores Frank a job at a funeral home where he works under the Sassy Black Lady stereotype making dead people look nice. Frank doesn't have a problem working with bodies because he's a hit man, you see. Isn't that just darling?

And then it's time for Frank to meet the younger woman who will eventually warm his cockles and give him a new lease on life etc. The dry-spoken Tea Leoni walks into HIS funeral home to bury her unlikeable stepfather and it's love-at-first sight for these two odd-ball lonely souls. It's all too easy, really. Sure, there are obstacles, but they are precisely the ones you would expect. Leoni must be fine with Frank killing people for a living but she must have an unrelated relationship hangup to get over. Frank must have a relapse and miss a dinner date with Leoni. Frank's family back home must have problems with the man Frank neglected to kill and Frank must overcome his resistance to recovery and his relationship issues in order to save the day. The only thing that's missing is a sweet montage wherein Frank teaches his girlfriend how to kill people. Oh wait, they have that too. I think my monkey wrote a similar script in his sleep last week. Kingsley and Leoni are fine. Wilson and Pullman are fine. The Sassy Black Lady is fine. But no one and nothing is spectacular.

Of course, the audience LOOOVED the movie. They laughed and clapped and waved their canes in the air. Me, I need something a little less formulaic.

One day, I will be the cane-waving person in the audience, happy to know what to expect. Who knows what my formula will be. Since the current Moons Over My Hammy set likes black comedies with heart, perhaps my Rootie Tootie Fresh and Frutie ass will need to see hardcore snuff with heart. Whatever it is, I'm sure it will drive the whipper snappers in the audience crazy. Right now, however, I'm going to go home and watch Grosse Pointe Blank.

T-Town Adventures

Here are the pics from our Tacoma Adventure last weekend. I heart the King's Inn.

Pay for Play

So yesterday morning, my assistant and I interviewed the child stars of Bridge to Terabithia, Josh Hutcherson and AnnaSophia Robb. They were really sweet, kind of cool kids despite the fact that AnnaSophia has a bit of that tiny 40-year-old woman vibe.

In the afternoon, I returned to find a box of DVDs on my desk that needed to be uploaded. Titles like “Japanese Oil Wrestling”, “Topless Fight Club” and “Extreme Fights Vol. 1”. Then, when I took a look at “Punk Rock Girls”, and found that instead of being a softcore rip off of the Suicide Girls, it's actually just girls eating each other out for an hour, I had to talk to my boss to find out if I was still supposed to put the title up on the site. This is the kind of work day I could never have imagined back when I worked in finance, helping rich curmudgeons get richer. Some days, my job is sort of a dream come true. Even if it's a dream I didn't know I had.

Weekend Recap

FRIDAY

Brugos and I met The Gang Which Has So Many Members It Desperately Needs an All Encompassing Nickname at the Big Time Brewery for some drinks before we went to our respective movies. They were going to see Day Watch at SIFF. I'd seen Night Watch and mostly enjoyed it, but Brugos hadn't seen it, so we instead elected to see Knocked Up.

But first, we made use of the incredibly wonky shuffleboard table at Big Time. That thing is filled with dips and dents and slants left. Also, someone went a little crazy with the wax. The board is surrounded by a big white mote of wax beads in which pucks can be easily lost. I started in on the house wine. The Day Watch crew left to get in line and Brugos and I played one more game of wonky shuffleboard before heading off to our movie. We stopped at Safeway on the way to get some mini wine bottles for the movie. We arrived at the Metro nice and early which was good because it turned out the movie wasn't AT the Metro, but at the Guild. Luckily, the Guild was only about half a mile away. We made it just in time.

We both loved Knocked Up. See my review below! After the movie, we stopped briefly at Al's to play some Medieval Madness. We realised we were a little too drunk to be any good. We learned that some of the Day Watch party were at The College Inn, so we headed down there in time for last call.

SATURDAY

So since I'm no longer a poor college student, I REALLY need to stop drinking the cheap wine. I can afford the nicer stuff and I know my body would appreciate it. But at least my hangovers are keeping me on my toes. On this particular morning, I was not nauseous or throwing up. Instead, I was incredibly dizzy and felt like I could topple over at any moment. I helped Brugos steer the car out of the garage so that AAA could finally come and tow it to the mechanic, and then I somehow cooked a breakfast and lay down on the couch. AAA was able to jump start the car so that Brugos could actually DRIVE to the mechanic. This was good news but it also made both of us kind of angry because months ago when the car died at 2am on a Tuesday outside Clever Dunne's, ALL we wanted the mechanic to do was to try and jump the car but he wouldn't do it. He said he knew it was the distributor cap and that jumping it wouldn't work. So we had to wait for a tow. We got home so late that night. But apparently, a jump WOULD HAVE WORKED FINE. What a dick.

Anyway, by the time Brugos got back from the mechanic, I had gone upstairs and, I guess LITERALLY passed out. Ordinarily, I am a very light sleeper. I should have heard Brugos come home. I should have heard him come up the stairs to check on me. I DEFINITELY should have felt him poke me. I was unaware of any of this. I woke up on my own and went downstairs for water and was completely surprised to find him home. But I did feel infinitely better, which was good because we had a big day ahead of us.

Last year, we'd gone Urban Golfing around Capitol Hill. This year, the party was in Georgetown. We had a nice big team assembled and, best of all, we had RAD costumes. Brugos had the idea that we should dress up like the Hi-Hats, the mime gang from The Warriors. It was a pretty simple costume. Red shirts with stripey sleeves, black pants, black hats,, suspenders and mime makeup. We did the sleeve stripes with gaffer tape. I did a stylized girl version of the costume with a black skirt and a cute, girly hat. We got our makeup on at Erik and Fi's. We all looked awesome.

The Urban Golf is rain or shine. Last year it was a bright, sunny day. This time, it was drizzling. It wasn't too bad though. Georgetown is a really cool area. I wish it weren't so far off the beaten path because it would be great to hang out there more. It's very industrial and there's arty junk around every corner. There are also some train tracks which ended up being the downfall of Urban Golf.

All the Urban Golfers got a lot of attention at every bar. In Capitol Hill, people dressed in costumes is (no pun intended) par for the course, but in Georgetown, you've got a lot of working men who definitely look at you funny. They seemed entertained by us though. And us mime's got the most attention. Though toward the end of the day, I was kind of tired of people miming AT us.

My favorite hole was at a park. The hole was inside the empty kiddie pool. After I sank my putt, I made a bee-line for the giant jungle gym with the awesome slide. Others followed. The jungle gym also had a zip line on it which was a lot of fun to use. The funniest part about the park was that it appeared that not too long ago, someone had a major hamburger bun fight. There were buns all over the ground.

The flaw in the Urban Golf course they'd created was that we kept having to play near the train tracks. The working train tracks. The train operators didn't like this one bit. They called the cops. We moved holes. They called the cops again. By the 7th hole, we were told that we weren't allowed to play the 9th because it was too close to the tracks. We ended our night at Stellar Pizza, eating some dinner and playing in the photo booth. We also ran into Carly and Scot who were, naturally, surprised to see us in our costumes.

After the golf, Erik was nice enough to drop me, Brugos and Darsh off at the Brunswick Towers for some poker. Darsh was fresh from having TWO Irish Car Bombs IN A ROW at the bar next to the car. We'd only gone in to use the bathroom.

We played two games and I won a little money in the second one! My poker skills are definitely improving. I win a little bit most every time I play now. I'm ready for Vegas!

Brugos, Darsh and I got a cab back to the U-District and called it a rather early night. It was only about midnight when we got home. Of course, we'd been drinking for 10 hours…

SUNDAY

Cleaning day! After which Brugos and I watched My Super Ex-Girlfriend. We still aren't sure if it's a good movie or not. It MIGHT be a farce. Or it might be an awful film. Either way, we laughed a lot.

Want to see pics of us dressed as Hi-Hats rampaging around Georgetown? Sure you do!

Movie Review: Knocked Up

“Knocked Up” is the next film from the creators of the sleeper hit, “The Forty-Year-Old Virgin”. Most of the same team is there including Writer/Director Judd Apatow, and improv geniuses, Seth Rogen and Paul Rudd. This time, there is no Steve Carell to steal the show. And, that, I think, is what makes “Knocked Up” a superior movie. Steve Carell is just too big. Especially now whatwith the “The Offices” and “Evan Almightys”. So even though he does always play the (mostly) lovable loser, he's just not as relatable as a Seth Rogen.

I have been wanting to see Seth Rogen in a lead role since he played one of my favorite characters on the short-lived but absolutely brilliant TV show, “Freaks and Geeks”. He wasn't improvising so much then, but he was only a kid. Now he has definitely blossomed into his own glorious comedic flower.

In “Knocked Up”, Rogen plays Ben, an underachieving stoner who is coasting through life thinking about nothing but himself. Everything changes when he, with the aid of alcohol, manages to score a one night stand with a beautiful, successful woman named Allison (Katherine Heigl). Alcohol also contributes to the titular state in which Allison finds herself 8 weeks later. She decides to keep the baby and, because he's a good person, he decides to raise the baby with her.

Rogen is ably backed by Paul Rudd who, on screen, can do NO WRONG. This time Rudd plays Pete, Allison's brother-in-law who is going through a bit of a rough patch emotionally. Rudd and Rogen could be much funnier versions of people I hang out with every day. The script is heartfelt, hilarious and, because it's about having a baby, TERRIFYING.

The script also does a fantastic job of balancing the male and female sides of dating, relationships and accidentally growing up. In most movies that attempt to show the female side, the women are shoe-obsessed bags of shallowness or else they are cute but completely insane. In contrast, the women in Knocked Up are completely realistic and actually pretty cool. Sure, Allison's sister, Debbie, can be a little crazy at times, but Leslie Mann (Apatow's real life wife and mother of his children) plays Debbie sympathetically as an otherwise level-headed woman who just didn't realize what having kids was going to do to her life. Allison might be smoking hot and working for the E! network, but she's still a down-to-earth, normal girl who's willing to try and work it out with her baby-daddy. She knows that deep down, he's a good person who just needs a kick in the pants to be a great father. I've read that Heigl beat out actresses like Jennifer Love Hewitt, Anne Hathaway and Lindsay Lohan for the role of Allison. And thank God. It would have been a completely different film. Much more traditional Rom Com and far too Hollywood. The reason I don't like most Rom Coms are because I just don't know people like Lindsay Lohan. I'm not a Jennifer Love Hewitt. I could kick it with a Katherine Heigl.

Of course, the character in the move I most relate to isn't a woman. The thing that really struck a chord with me while watching this movie is the fact that I saw more of myself in Ben and his lifestyle than in Allison. Think about that when you watch this movie. What if BEN were the one who got knocked up. Yikes.

“Knocked Up” is one of those rare comedies that goes deeper than just getting from point A to point B. It's about how real people (who are, granted, funnier than you) deal with life not turning out the way they'd planned. And that's something that EVERYONE can relate to.

SIFF Film Review: The Future is Unwritten

It must be incredibly difficult to make a documentary about your friend. Especially if your friend died reasonably young and happened to be one of the Founding Fathers of a musical movement. Julien Temple’s “Joe Strummer: The Future is Unwritten” is remarkably objective and concise for being a touching tribute to such an important man. However, it still, perhaps unavoidably so, falls into the trappings of a documentary made by a friend. It's just too long. The good news is that is my ONLY criticism of this film. Everything else is just nitpicking. The film covers Joe Strummer's entire life from his childhood with his brother and his foray at boarding school to dealing with his brother's suicide and how that contributed to the man he became. It covers the quiet period between the end of the Clash and the beginning of The Mescaleros that has previously been a bit of a mystery. It ends, of course, with Strummer's untimely death and implicates the full extent of why this was a tragedy. The man simply had so much more to do.

The Clash is absolutely my favorite band. They are also one of the most documented bands and definitely the most documented founding punk band besides, perhaps, The Ramones. It wasn't as easy back then to just carry a camera around with you so it must have been pretty clear to everyone that Joe Strummer was a big deal. What he was doing was important and needed to be filmed. Much of this footage must have been filmed by Temple himself because I have seen every Clash documentary I can get my hands on and I only recognized a handful of the shots in this movie. The only narration is from the man himself, taken primarily from a radio broadcast he recorded. The film is filled with interviews from the people who were close to him, most of which were shot around a roaring camp fire in several cities. The way the interviews were shot, with the people who loved Joe gathered together around a warm campfire, really illustrates how much of an influence he really had on everyone who he touched. This is evident even before you learn that the campfires are a tribute to an ongoing event that Joe had organized himself.

Temple also ignored another documentary film staple. Titling his interviewees with their names. You either recognize an interviewee (the most recognizable of whom is Bono) or you learn who they are through the stories they are telling. If you never learn who they are (the Sex Pistol's Steve Jones is quite a bit more bloated than his skinny young counterpart), it doesn't really matter. The film isn't about them. It's about Joe. His story has been told before and will, thankfully, be told again. But Julien Temple's telling of it is perfect.

SIFF Film Review: The Ten

“The Ten” is written by the same team responsible for one of my favorite comedies of all time, “Wet Hot American Summer”. You might also know these folks from an old MTV sketch comedy show called “The State”. Some of the alumni went on to make “Reno 911” and another sort of surrealistic comedy troupe called “Stella”. I think all of these projects are brilliant (save the short-lived “Stella” TV series that was a bit of a disaster). So I was half ecstatic, half worried to see “The Ten”. Would it be the filthy surrealistic humor that I love from David Wain and Ken Marino, or would it be the flaccid failure that was the “Stella” TV show?

I was overjoyed to learn that it's the former. “The Ten” is glorious. It's very difficult to make a sketch film. Not even all the “Monty Python” movies are great. There are bound to be some weak moments, as with most film, but they will become more apparent when the moments are entire concepts for a scene. Wain and Marino were smart to start with such a strong theme: Take the 10 Commandments and write 10 scenarios in which each commandment is grossly broken. Hilarity doth ensue.

It's true, there ARE still weak moments. But they only serve to introduce characters who will go on to be a part of a really strong moment. Our narrator is the ALWAYS enjoyable Paul Rudd. (And I do mean ALWAYS. I haven't watched “The Object of My Affection” at least 5 times on Lifetime because I'm a big Jennifer Aniston RomCom fan.) Rudd introduces each story after furthering his own plot as man who is in the midst of breaking the commandment about adultery. His jilted wife is played by the tremendous Famke Jansen (Jean Grey!) who can make the phrase “There's something you're not telling me about the pec juice” uproariously funny. Trust me, it makes sense in the context of the scene. Sort of.

The film is actually filled with usually dramatic actors being absolutely hilarious. Liev Schreiber plays a man obsessed with competing with his neighbor…by buying the most CAT scan machines…with tragic results. Winona Ryder plays a woman who has a steamy affair with a ventriloquist's dummy….with tragic results! Of course, all this tragedy is actually hilarious because they are spot-on parodies of dramatic film conventions. And now that I think about it, the less you know about this film, the better. This film scored a distribution deal at Sundance, but whether that means it will be coming to a theatre near you or a streaming video website near you, I'm not sure. All I know is that “The Ten” is destined to be a comedy classic a la “The Meaning of Life” and “Kentucky Fried Movie”.

SIFF Film Review: Death at a Funeral

One of the millions of reasons I love living in Seattle, and one of the main reasons I moved here in the first place (11 years ago!) was because of the independent film scene. It used to be that the Seattle International Film Festival contributed a great deal to this scene by bringing small independent films that might not otherwise be seen on a big screen or, perhaps even make it to DVD to a theatre near you. (If you live in Seattle, of course). Unfortunately, over the years, SIFF has fallen prey to the same trappings that other big film festivals like Sundance and Cannes have. Thousands of hopeful filmmakers scrounge for $50 + postage and submit their small films to these festivals hoping to be discovered, not realizing that before a call for submissions even goes out, half the festival has already been programmed with sure-thing films. Those films have name stars or directors and often ALREADY HAVE DISTRIBUTION BY THE TIME THE FESTIVAL ROLES AROUND. These people do not need help. But, as is the Hollywood way, they get it anyway. I hate being so jaded, so I go to SIFF anyway. I wait in line to see a movie by Frank Oz. Of course, I like Frank Oz. He's YODA, for Jeebus' Sake! He also directed the film of my favorite musical of all time, Little Shop of Horrors. (I would like to say that this is the ONE film that is based on a musical based on a film that actually worked out OK and I hate that it is probably responsible for why that godawful Hairspray adaptation/remake is about to happen. But I digress…)

Death at a Funeral is Frank Oz's latest film. It has the formula for being great. British actors, or actors pretending to be British, dark comedy about death and funerals with drug references and Peter Dinklage. Sadly, I found it falls a little flat. The jokes are surprisingly cliche for a film about funeral mishaps. Also, my enjoyment of the film was impacted by the EXTREMELY overeager audience who, aware that Mr. Oz was in attendance, SCREAM laughed at every single joke. You think I exaggerate? I assure you that this is not hyperbole. The man next to me was shrieking as if his life depended on making sure Frank Oz knew he LOVED the film. The experience was both physically and emotionally painful.

There were good points about the film. The aforementioned Dinklage is always fantastic. Likewise with Alan Tudyk (he with the decent fake British accent and expressive face). In fact, the entire cast was pretty spot on. I just wish they'd been given something a little edgier to do with their talent. In the end, it felt like my boyfriend and I were actually attending movie night at the retirement home. For a movie with profanity and references to hallucinogenics and gay sex, the whole affair felt pretty tame. But at least now I know what DVD to get my grandmother for Christmas.

A Mark Meme!

It is a rare and joyous occasion when MarkTapioKines creates a meme!

1. In five words or less, describe what you do for a living. (Don't be cute.)
Load streaming video content reeltime.com.

2. If you were worth $40 billion and had already bought and donated everything you wanted to, would you spend $40 million on a beautiful Van Gogh painting?
No. Unless my purchase of it for that price would save it from destruction. $40million is a lot of food for hungry people.

3. Would you spend $40 million on a 200-foot yacht?
Nope.

4. How many times have you been engaged to be married?
Zero times to date.

5. Did you have a steady boyfriend or girlfriend in high school?
Not really.

THREE MARX BROTHERS-THEMED QUESTIONS:
6. Have you ever had a day at the races?

Yes. This past Cinco De Mayo.

7. Have you ever had a night at the opera?
I saw La Boheme in high school with my parents. Not my thing.

8. Have you ever eaten duck soup?
Nope.

9. If you accomplish something major that you're proud of, and nobody gives you any credit for it, does that bother you?
Of course.

10. Of all the things that your “dream house” will have (which your current place of residence does not), what are the three most important?
I LOOOOVE the house I live in now. But it would be nice if the basement were finished and there were a second bathroom. Those are both entirely doable. Also, I think perhaps a designer like of of those Queer Eye guys needs to come in and help me and Brugos organize our clutter.

11. Who is the most famous person you've ever met? (“Met” = at least exchanged two words with face-to-face, preferably shook hands with)
MOST famous, as in person who the average American would have heard of? I suppose it was Crispin Glover.

12. Have you ever seen a U.S. President in person? (You didn't have to meet him)
No.

13. If you go to a favorite restaurant, do you always order the same dish or do you mix it up a bit?
I try to mix it up but I have favorite dishes that I crave and usually go to the restaurant just to order that dish.

14. When was the last time either of your parents saw you naked?
My mom in high school when she went with me to my first OBGYN appointment. My dad, probably not since I was a little girl.

15. What town did you grow up in? What was the best thing about it? The worst thing?
Midlothian, VA. Best thing: Pretty and full of history. Worst thing: Red state.

16. What town do you live in now? What was the best thing about it? The worst thing?
Seattle, WA. Best thing: So much to do. Worst thing: No sense of history.

17. When you Google your name, in quotes, how many results do you get?
1830.

18. What's your astrological sign, and do you think your personality is typical of that sign's supposed traits?
Virgo. And yes, though as an atheist, I can't explain why.

19. What household items do you have more of than you need?
Glasses.

20. Name something you ate all the time as a kid that you wouldn't touch now.
Real marshmallows.

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