NFT Radar: The Counter

So it’s not a mom and pop burger joint. It started in California with franchises springing up in some unlikely places across the country (and the world). And maybe I’m just falling for the glamor of an evil empire on the rise. But when a place boasts 312,120 different possible burger combinations (any mathematicians want to contest this figure?) how can you not? Because of the insane array of choices, their Build-Your-Own-Burger forms can be a little overwhelming. I find it’s best to start with a sauce and go from there. You can be simple as you please (beef burger, American cheese, lettuce, regular bun) or highly experimental (turkey burger, soft ripened brie, hard boiled eggs, ginger soy glaze, dried cranberries on English muffin). It’s all up to you. They just provide the high-quality ingredients. Especially impressive are their house-made veggie patties, an ingenious combination of grains and veggies mashed together and fried to a golden brown. Don’t miss their Wednesday happy hour, which pairs 4 sliders with 4 microbrew samples for $4. Save room for a milkshake, which can also be combined however you please. It doesn’t get any more “have it your way” than this.


4609 14th Ave NW 98107
206-706-0311
www.thecounterburger.com

X-posted from Not For Tourists.

Review: “UB40 – Food For Thought”

2009
Unrated
81 minutes

***

Apart from actual taste, there is nothing more subjective than musical taste. One man’s auditory honey is the most annoying sound in the world to someone else. In the mid-eighties, I thought I hated UB40. I cringed whenever they came on the radio. That said, sometimes a band, known primarily for their album of covers, can surprise you.

UB40 formed in Birmingham, England in 1978. Named after a document issued to people filing for unemployment benefits, they were among a number of pasty white Brit musicians getting into reggae at that point. They were drawn to the political messages, feeling a kinship to the problems of unemployment in Jamaica and, yes, they were probably also smoking some ganja.

Shot on a hot summer night in Cologne, Germany in 1981, “Food For Thought” captures the early days of the band, just after the release of their second album. Like their first record, it was a hit in their native country. They were riding high on success (and other things), spreading their appropriation of the reggae sound to guilty white folks across Europe. They weren’t exactly the Clash, but they weren’t incomparable. They wouldn’t be noticed by the Yanks for another 3 years. And sadly their original work would never chart in the U.S.

For that reason, it’s hard for a Yank like me to watch “Food For Thought” without that American stigma attached to it. The “Sliver” soundtrack doesn’t even exist yet in this snapshot of UB40’s career, but it was always in the back of my mind as I watched the Campbell brothers sweat and bop on stage among a bevy of trumpet players and a real live, bona fide Jamaican called Astro. It doesn’t help that the audience consists of mostly white, mustachioed Germans with dubious hair. These people take songs like “The Earth Dies Screaming” very seriously. They also recall the inevitable future: Republicans blasting “Red Red Wine” from their Ferraris.

But in 1981, it’s all about the politics and the Sinsemilla. Back then there was nothing ironic about a ginger man in sunglasses and a tucked-in baseball jersey, playing sax under lyrics like “the poor can scream but no-one hears/the concrete jungle sings the blues”. “Don’t Let it Pass You By” is about how life is short and there’s nothing beyond so you might as well get high. In “Burden of Shame” the band apologizes to South Africa for being British.

UB40’s origins won’t be news to pre-existing longtime fans. Thus, this DVD will be a huge treat for them: An earnest and flawless performance of the band’s first two records. Bleeding hearts like me, without the aid of a certain herb, may still be bored by the droning ska rhythms, but they have to respect the band’s message. The only audiences I can imagine being truly disappointed by this performance are those cheesy dudes who only ever owned “Labour of Love”. They’ll be waiting for that one song that, thankfully, will never be played.

 

Originally published on FilmThreat.com (now defunct).