SXSW Review: Lovely Molly

2012 SXSW FILM FESTIVAL SELECTION!
Unrated
95 minutes

**

What is it with demons and video cameras, anyway? The found footage horror movie is seriously overdone. Can we please stop? It’s not even that scary anymore.

To be fair, the director of “Lovely Molly” (Eduardo Sanchez) is the guy who started it all when he brought us “The Blair Witch Project” way back in 1999. In his latest film, he mixes home movies with video footage shot by videographers (both seen and unseen) as well as traditional narrative filming. The result feels like a “Greatest Hits” of camcorder horror. And some of those hits aren’t even all that great.

The film opens on Molly (Gretchen Lodge) not looking so lovely. She cries into the camera about the terrible things she’s done against her will. She holds a knife to her own throat, but claims that an unseen force won’t let her end her suffering.

The opening credits play over happier times: a video of Molly and her husband, Tim, on their wedding day. It’s not just the supernatural that loves video documentation. I don’t know if demons are drawn to camera happy people or if possession brings it out of them, but folks in these movies constantly film their lives. You can bet that, during an intense moment, someone is going to tell Molly to “stop fucking filming.” Between her own camera and some security footage from her work as a custodian in a mall, there’s barely a moment Molly isn’t on camera.

Despite all the terrible memories it conjures up, Molly and Tim are forced to live in Molly’s childhood home, a creaky old thing in the middle of nowhere that is absolutely riddled with terrible rooms. There is a haunted bedroom with a dark closet, a dank basement, a tiny attic, a shed with an ominous green chair and a spooky horse shrine in a crawl space. Because Molly and Tim keep the place sparsely decorated it looks more like a museum to Molly’s abusive past than a newlywed couple’s love nest.

Screenwriters Sanchez and Jamie Nash try to keep the audience guessing about whether an evil entity is actually stalking Molly, or if she’s merely a victim of drug abuse and mental instability caused by childhood trauma. But they tip their own hand several times with some pretty standard supernatural shenanigans. The plot that unfolds is essentially a possession paint-by-numbers.

When their alarm goes off in the middle of the night, Molly and Tim call the cops. Naturally, despite the fact that the couple definitely heard something banging around downstairs, the officer on the scene sees no sign of forced entry. He’s equally useless every time Molly calls him back to investigate the escalating bumps in the night. This guy obviously aced “Cliché Explanation 101” at the Academy because he blames both “the wind” and “some neighbor kids” on what’s been happening before leaving Molly to her own devices.

The writers do their best to address the typical plot holes about why people don’t just move the fuck out when they suspect that they may have supernatural roommates. They’re too poor for Tim to quit his job as a truck driver, which keeps him on the road. She can’t see a doctor about her blacking-out-and-waking-up-naked problem because they can’t afford health insurance. She refuses to stay with her sister because she doesn’t want to impose. It never occurs to them to sell the place or try to rent it out. Besides, it’s only a little ghost rape. I’m sure it won’t get any worse.

For a while, the plot is just one long list of excuses in between inaudible whispering, lights popping on by themselves, disembodied crying and the occasional sexual harassment of a priest. Eventually, blood starts to flow as Molly’s Equine Ghost Dad brings her deeper and deeper into the abyss. Terrible things happen for no other reason than to be shocking. I have to give Lodge credit for her performance, which is an absolutely balls-out one. I just wish she had been given something a little more worthy of her talent.

Originally posted on FilmThreat.com (now defunct).

Film Threat Review: Jez Jerzy (George the Hedgehog)

2011 SXSW FILM FESTIVAL SXFANTASTIC SELECTION!
Unrated
96 minutes

***

There was a time when dirty, experimental cartoons were groundbreaking. “Beavis and Butthead” broke underground music with their video commentary and became a scapegoat to teen pyros across America. “Aeon Flux” made not having a spine sexy, as she sexed her way around her weird, dystopian universe. “The Maxx”…did whatever it is he did. “Spike and Mike’s Sick and Twisted Animation Festival” fliers popped up in every coffee shop and rock club. Certain kids sneaked downstairs after their parents were asleep to enjoy these titillating cartoon wonders, the likes of which they’d never seen. But once “South Park” stopped shocking people on a weekly basis and “Family Guy” became a prime time hit, edgy cartoons just didn’t seem that edgy anymore. That’s why it’s always refreshing when somebody decides to kick it old school. “Jez Jerzy (George the Hedgehog)” could easily be an outtake from the “Liquid Television” days. There’s nothing like a cartoon about a degenerate hedgehog to make you feel all warm and fuzzy.

Based on a Polish comic book of the same name, George is an anthropomorphic hedgehog who drinks constantly, skateboards and has sex with human women. He does these things without much moral objection from the world around him. They seem to resent him more for his luck with the ladies and total disregard for social decorum, than his participation in bestiality. Given that the urban hedgehog’s natural enemy seems to be The Skinhead, there may be some civil metaphors at play here too.

George’s carefree life is turned upside-down when an evil scientist clones him, in an attempt to create the ultimate marketing machine. The scientist plans to make George an Internet sensation, allowing him to control corporate commerce, popular culture and possibly even the Polish government. He hires a couple of skinheads to whack the real George so that he can’t expose the clone. It just so happens that these skinheads already have a beef with George. Fortunately for George, these henchmen are bumbling at best and fail in their mission. They do, however, manage to leave their mark, rendering George out of commission long enough for things to get pretty wacky. When he comes to, George finds himself in a case of mistaken identity. With the help of a busty, baritone prostitute, he must race to clear his name and save Poland. All the while, George farts, drinks, humps, fondles, wisecracks and makes feeble attempts to win back an old flame, now married. It’s a ridiculous plot; one that echoes Louis C.K.’s “Pootie Tang” and recalls Spuds MacKenzie (and Slurms MacKenzie!). For the record, I mean that as a compliment.

There are probably Poland-specific jokes that will be lost on an American audience (I couldn’t identify them, but that doesn’t mean they’re not there). What is evident, however, is how much American culture has affected Poland. It almost feels like an alternate American universe. Don’t worry, though. This film won’t make you think too hard. The social commentary mostly stays out of the way of the raunchy jokes and cartoon boobs. Dirty cartoons had their renaissance, but it’s nice to see a small revival in the form of “Jez Jerzy.” It’s crudely animated in the best possible way, depraved, graphic, funny and just the thing for late-night viewing.

Originally published on FilmThreat.com (now defunct).

Film Threat Review: The Other F Word

2011 SXSW FILM FESTIVAL SPOTLIGHT PREMIERES SELECTION!
Unrated
98 minutes

****

Full disclosure: I AM the target audience for “The Other F Word.” I grew up on punk music and I have a one-year-old daughter at home. That said I’m a tough sell on sentimental documentaries. The movies that have brought tears to my eyes are few and far between. This one had me using my hoodie for a tissue every time one of those tatted-up daddies talked about their crappy childhoods or how much they love their kids. Director Andrea Blaugrund Nevins has made a raw, honest, hilarious and extremely heartrending film. Besides, how can you be expected to keep a dry face when these punk rock icons don’t?

Almost everyone who turns to punk does so because they need it. It’s not just music to them. It’s a home to them when their real homes are unwelcoming or their peers have ostracized them. In the punk scene, kids could find the unconditional love they couldn’t get elsewhere. But the scene is a bit like Neverland. Eventually, the punks grow up. They get adult jobs, mortgages and IRAs. They file away their punk rock pasts in their iPods’ shuffle. The musicians are the Peter Pans of the punk scene, but they couldn’t stay young either. They also can’t leave Neverland. Not if they wanted to keep playing music. When they found themselves with kids and mortgages, punk was no longer just an attitude to them. It had become a job. Brett Gurewitz, (Bad Religion, Epitaph Records) quips, “Punk rock was never meant to grow up. But it did. So too bad.”

There are some ideals of the punk world you never shake: Freethinking, questioning authority, pressing boundaries. Eventually, if you expect to have a happy family, you have to make some compromises. The film’s through line follows Jim Lindberg, front man for the legendary band, Pennywise. He’s preparing to go back on the road, where he spends over 200 days a year. He packs hair dye and studded belts. He’s trying to keep the dream alive but it’s clear that his heart just isn’t in it anymore. Unfortunately, the other, childfree band members want to keep touring forever, and partying like it’s 1989. The fans are still rabid for the music. Besides, his kids need food, clothing and electricity and those things cost money. He’s become a traveling salesman, schlepping anarchy door-to-door.

The film features numerous punk notables including Ron “Chavo” Reyes (Black Flag), Joe Escalante (The Vandals) and Mark Mothersbaugh (DEVO). All of them are dads. Some of them seem a little surprised by it. None of them expected to be around this long. They didn’t have death wishes or anything. It’s just that Fat Mike (NOFX) couldn’t have imagined that he’d become an indentured servant to a little girl, carrying her from room to room and making her breakfast. Mark Hoppus (Blink 182) never would have guessed that he’d be buying the edited versions of his albums to play in the car for his kids. Lars Fredrickson (Rancid) didn’t think about what the other moms at the park would think when he got that tattoo on his forehead. A young Jim Lindberg probably wouldn’t have believed you if you told him he’d one day be haggling with his daughters about how many of their Barbies he would bring on the road with him. These guys aren’t unhappy with the unexpected turns their lives have taken. On the contrary, they seem blissfully happy whenever they spend time with their offspring (in a hilarious twist, they are mostly daughters). They just don’t want to fuck it up.

Almost everyone interviewed has an asshole dad story. They tell harrowing tales of men breaking their sons’ hearts. In some ways, it was generational. Being a good father meant putting food on the table and that was basically all that was required of them. Many couldn’t even handle that and abandoned their families. Others stayed but used a belt or a fist on those that loved them most, an attempt to exorcise their resentment. “When I had my daughter,” Fat Mike confesses, “that’s when I really started to get angry at my dad.”

Art Alexakis of Everclear tells perhaps the saddest tale of paternal failure. Anyone who’s heard “Father of Mine,” knows that Alexakis has daddy issues. He discusses the horrifying details in between clips of a heartfelt acoustic performance of his song. Alexakis also wins the award for most priceless face by a scared-shitless new father.

“The Other F Word” isn’t all punk rock therapy. There are also many comical moments in a day in the life of a punk rock parent. One of more amusing elements is the way their children regard them. In the punk world, their fans revere and emulate them. But when they’re at home, they’re just lame old dads. Still, better to be a lame dad than a negligent one.

Fat Mike admits that he and his wife assumed that their child would just join their lives, already in progress. It’s easy to forget that they will be their own people and come with a completely unique set of opinions and desires. This generation of dads is desperate to improve upon the last. And it’s not just punk dads but any dad who just wants his children to be happy. You have to give up a lot to be a good parent. You don’t have to lose yourself entirely, but you have to make a lot of compromises that you never expected or possibly even vowed against. Jim summarizes the theme of “The Other F Word” nicely. “[Punk rock] is about doing everything your parents didn’t want you to do… How did we go from saying ‘Fuck your parents’ to being parents ourselves?”

Some of the sacrifices they make are lamentable, like having to hang out with the awful parents of their kid’s friends. Some are improvements, like cutting back on their partying and curbing their potty mouths. Jim suggests that the most important thing a punk can do might not be writing an anthem. “Maybe the way we change the world,” he says, “is by being better parents.”

Originally published on FilmThreat.com (now defunct). 

Film Threat Review: American Animal

2011 SXSW FILM FESTIVAL NARRATIVE COMPETITION SELECTION!
Unrated
95 minutes

****

If you’ve read any plays by Tom Stoppard or Samuel Becket, than “American Animal” will be familiar territory. Apart from quick-paced banter between characters, nothing much happens. But when the thing is over, you’re left with much to muse. This sort of thing can be challenging. Especially since writer/director/star Matt D’Elia has created a personality who is obtrusive to say the least. Furthermore, when someone has that much creative control over a film, it’s usually a big, flashing warning sign that says “Vanity Project.” As it happens, it’s not vanity if they’re actually talented.

“American Animal” is practically a paradox. D’Elia plays Jimmy, an eccentric unemployed man with an unexplained terminal illness who spends his days lounging around his shared flat in unconventional underpants espousing philosophical monologues and doing impressions. A character like this should be aggravating, not compelling. It helps that Jimmy makes some pretty good points in his monologues and his impressions aren’t too shabby. Jimmy’s flatmate is James (Brendan Fletcher), an uptight bookish man (in contrast) who also enjoys a life of leisure. Remember those exhilarating nights in college when you blew off your homework and instead used what you learned in class to have inebriated, heated debates with your friends about the state of humanity? That’s every day for these trust-fund-squandering lay-a-bouts. Recently, however, James has begun to feel guilty about his extravagant lifestyle and decides that he needs to move forward with that whole “adulthood” thing by taking a job. Conversely, Jimmy has just decided that he hasn’t been extravagant enough. He proceeds to guilt-trip James and their two lady friends (a cheery blonde and a jaded brunette, both named Angela) into indulging him in his hedonistic antics. Jimmy is upset that James has decided to break up the party and does everything in his power to convince James to reconsider. James wants to affect the world around him and give his life a purpose. Jimmy has concluded that because he doesn’t have any responsibilities, he has mastered the system.

The eloquent, thought-provoking dialog flows at a theatrical pace, but it doesn’t feel unnatural. These are college-educated people who aren’t shy about name-dropping Charles Darwin. A typical exchange has everyone saying “what?” with near-maddening frequency, forcing each other to repeat themselves. It’s embellished, but it’s also an understandable reaction to the tension built up in close quarters. Though Jimmy makes grand, self-assured statements and spouts his radical, provocative ideas, he has several substantiated arguments in his repertoire. He makes childish demands and is completely inconsiderate to his friends. He jumps from character to character, often with a costume change. He makes up his own words and insists that it can be Christmas if he wants it to be. Jimmy blames his madness on whatever ailment requires him to take a meal’s worth of prescription drugs every morning. But what has really driven him mad is his privileged life. When he’s actually faced with a problem, he handles it by going balls out (sometimes literally). He’s the closest thing we have to a successful modernization of Hamlet. James is Jimmy’s Rosencrantz/Guildenstern. Though he has good intentions and thinks he’s doing the right thing, James is also, in some ways, writing Jimmy’s death warrant. James isn’t as exuberant as Jimmy, but actor Fletcher aids in cultivating a compelling character that may not be as reasonable as he thinks he is. The big adult job that James is starting in the morning is a paid internship at Harper Collins. His “contribution to society” is a job that he probably got through nepotism.

Theatrics aside, “American Animal” is a colorful, audiovisual experience. D’Elia utilizes jump cut montages and musical cues reminiscent of a Wes Anderson film to acquaint the audience with life in the Urban Outfitters catalog in which these two men have holed up for so long. D’Elia lets the irreverent décor of the house serve as shorthand for who these men are. Thankfully, no one in the film ever says the titular line. It was only after the credits rolled that I realized the title was a punch line.

Originally published on FilmThreat.com

Film Threat Review: Kill List

2011 SXSW FILM FESTIVAL SXFANTASTIC SELECTION
Unrated
90 minutes

*****

Ben Wheatley’s first film, “Down Terrace,” was fantastic. But one great film does not an extraordinary director make. With the submission of “Kill List” as his sophomore effort, I think it’s safe to say that this guy is something special. As a critic and a genre fan, I wade through a lot of mediocre films searching for the ones that remind me why I fell in love with horror in the first place. I rarely feel so elated walking out of a theatre as I did leaving “Kill List.” Now that, my friends, is a fucking movie.

“Kill List” begins much the same way as “Down Terrace,” in familial territory. Except something violent and sinister is behind these otherwise archetypal squabbles. Jay (Neil Maskell) and Shel (MyAnna Buring) are married with a young son. They’ve been experiencing cash flow problems and anger management issues ever since Jay was injured “on the job” in Kiev. When longtime confidant and partner, Gal (Michael Smiley, “Down Terrace” and “Spaced”) brings his new girlfriend over for dinner one night, they witness some (at times amusing) spousal nitpicking that leads to Jay abruptly clearing the table. After the dust settles and the wine continues to flow, Gal takes the opportunity to entice Jay back to work. The job is contract killing and the money is good.

We soon learn that this isn’t the first time at the hitman dance for either of these men. This information does little to blight them. After all, the guys their clandestine employers have tasked them to snuff have done bad things. “Just for the record,” justifies Jay, “I’ve hardly done any terrible shit.” Be that as it may, something happened in Kiev that has kept Jay out of work. It has also led to a wee dependence on painkillers and a deep-seeded resentment of Christianity.

As they make their way through the titular list, Jay and Gal start to realize this job has some pretty enormous strings attached. It’s so much fun finding out what those strings entail at relatively the same pace as our protagonists, that I really hope people manage to avoid spoilers. That’s not so easy to do these days.

The performances in “Kill List” are terrific all around. Neil Maskell moves effortlessly between bitter and despondent-yet-devoted family man to merciless assassin with a mounting vigilante streak. When he’s in the heat of the moment, Jay is not unlike Garth Ennis’ Punisher. He’s merciless and derives more than a little satisfaction from killing people he deems “the bad guys.” He’s not content to just put a nice tidy bullet in the victim’s head either, opting instead to bash skulls and faces into a gruesome pulp. Michael Smiley is beautifully adept at playing the thoughtful gangster with a glint of mischief behind his eyes. MyAnna Buring (“The Descent”) brings a rare humanizing complexity to the standard role of the nagging wife. By the time the blood starts flowing, the characters have shown such warmth, passion and familiarity toward one another that you root for them even as their body count rises.

It’s difficult to tell how much of the film was scripted because the performances are so natural. Nonetheless, co-writers Wheatley and Amy Jump certainly deserve praise for creating some very real, intensely compelling characters. Cinematographer, Laurie Rose, uses the realism of the hand-held camera to suck us right into their lives, whilst managing to maintain a lovely cinematic look. The presence of a serendipitous rainbow doesn’t hurt. This look is something that Steven Soderbergh has been trying to achieve for years.

I hesitate to divulge anything more because it’s best to experience “Kill List” as a fly on the wall. There are clues planted along the way but there is little chance you’ll guess the exact ending unless you’ve been spoiled. You’ll likely wish to revisit the film to spot everything you may have missed. Still, I don’t think it’s fair to call the ending a twist. Wheatley isn’t M. Night Shyamalan. He’s not trying to trick you. He’s just following the all-important, yet frequently broken narrative rule: Show, don’t tell. By the time you’ve figured out what’s going on, it’s not so much a surprise as a revelation. That’s a much more rewarding experience than being duped.

Originally published on FilmThreat.com

Film Threat Review: Surrogate Valentine

2011 SXSW FILM FESTIVAL EMERGING VISIONS SELECTION
Unrated
74 minutes

**

“Surrogate Valentine” is exactly the sort of movie you hope to avoid at film festivals. It’s a vanity project wrapped in a distracting, meaningless black and white package. It’s clear director Dave Boyle intended to jump on the Mumblecore bandwagon but it lacks the realism and effortless wit usually found in the genre. The dialog dips into rom-com cringe-worthiness and the sentimentality feels forced. Why do film festivals insist on programming these self-important wankfests? When will this madness end? Won’t someone please think of the children?

The story follows a musician named Goh Nakamura (played by Goh Nakamura), who is basically a portly Asian Lloyd Dobbler without the eloquence and good taste in music. The character is based tightly on an Asian singer/songwriter named Goh Nakamura. There’s also a Goh Nakamura in the writing credits. I’m guessing they’re related. Anyway, this struggling John Mayer-type agrees to let a quasi-famous Hollywood actor, Danny, shadow him for the purposes of role research. Danny accompanies Goh as he passively peddles his acoustic wares up and down the West Coast. Meanwhile, Goh reconnects with an old flame and passively attempts to win her back.

In the context of the film, as well as the film-within-a-film, Goh Nakamura is meant to be a sensitive genius and an object of desire. In fact, his awful music and lame jokes win women over so frequently that he can afford to ignore their advances. But the truth is that Goh Nakamura is a contender for the least appealing hipster of all time. He sports the hoodie and tie look without a hint of irony. He moves through the world quietly, attempting to appear deep, but coming off as boring at best.

The movie-within-a-movie is supposed to be bad. Danny plays it like a mincing emo Buddy Holly. Goh’s lame ballads provide the soundtrack for both films, implying that his songs are too beautiful for a Hollywood movie. It’s actually the other way around. A sample lyric: “Your suitcase is by the door/Your carry-on will carry on/Like a baby”. There’s a titular song too. Really.

It gets worse. Goh is the less annoying half of this buddy flick. Danny follows Goh around with a smug, actory demeanor, wildly gesticulating as he imparts platitudes onto his romantically challenged tutor. Like many actors, he has a mediocre Christopher Walken impression and he utilizes it as often as possible, claiming it helps him learn his lines.

The film is shot on HD, but the arbitrary black and white filter gives the picture a flat, dull look. Seattle and San Francisco are lush, beautiful places, but Boyle manages to make them look utterly unremarkable. Even iconic locations like Gas Works Park, Golden Gate Park and The Space Needle stood out only because of they’re hackneyed shorthand properties.

If there’s any redeeming quality to “Surrogate Valentine,” it’s that I see what they tried to do there. This is the sort of movie that gives Mumblecore a bad reputation. Dave Boyle doesn’t seem to realize that you don’t actually have to make your characters mumble.

Originally posted on FilmThreat.com (now defunct).

SXSW 09 – The Aftermath

It was, as per usual, amazing. Though it has gotten a lot harder to get into the night shows without an exorbitantly priced pass or impossible to acquire wristband, we still saw a lot of great bands. Such as:

*The Shaky Hands
*The Paper Chase
*Hey Marseilles
*The Rosebuds
*Juliette and the New Romantiques
*Natalie Portman’s Shaved Head
*The Red Verse

We saw comedy! The likes of Eugene Mirman, Doug Benson, Todd Barry and Janeane Garofolo.

We hit karaoke at Ego’s, which is a bar inside a parking garage. I laid eyes on the most incredible book I’ve ever seen. They had EVERYTHING. It put the old Sunset Bowl system to shame.

We ate. A lot. Queso! Tacos! Vegan tamales! More queso! I can never tire of tex mex, apparently. The street food rocks. Serrano’s has the best happy hour and a lovely patio. Stubb’s Legendary BBQ is just OK.

We found ourselves at a house party in the suburbs and had quite the adventure getting back to our hotel.

Free beer was rampant. I drank my fill of Shiner Bock.

We saw a terrific movie (Grace) and an awful movie (My Suicide – reviews to come).

The weather was OUTSTANDING. My tan lines are back.

See it in pictures here.

SXSW Part 4

SXSW Part 4

SATURDAY

Brugos and I met downtown and sought out an entire set of The Research. Despite technical difficulties on the part of the keyboardist, I thought they were really good. If a shitty show is that much fun, imagine how great they are when all their equipment is working. It helped that they brought in a cute bohemian girl as a guest vocalist.

We also partook in a free buffet at the venue. More free stuff! This time, my body was overjoyed to be eating free carrots and green beans instead of free booze.

Next we took a long stroll toward the University area to try and find the venue where Matthew Sweet and Susannah Hoffs were to play together. When we got there, it appeared that everything was behind schedule. We figured we had at least an hour to kill, so we walked further into the university area and saw all the vintage shops and super cool college kids.

When we got back, we sat through one more set before Sweet and Hoffs came on. In the meantime, there was plenty of people watching. It was clear that we’d stumbled into the “older person” tent. The older crowd was having a great time, dancing and singing along to the bands. It was kind of a refreshing sight, after having spent a week hanging out with hipsters who don’t smile and insist on wearing black even in hot weather. (And yes, I’m aware that I am one of these people.)

Sweet and Hoffs finally came on to a very receptive audience. They played all covers of 60’s songs including one of my favorites, “Different Drum” (written my Mike Nesmith from the Monkees!).

We were hungry and had our eyes on an Indian restaurant across the street. By the time we got in there, it was very full and there was a 45 minute wait for a table, but we were able to finagle our way into the bar and eat appetizers for dinner.

We headed back downtown to meet Andrew. He was delayed at a wristband party but convinced us to wait for him inside the Emo’s Annex, where a band that he really wanted to see was going to be playing later that night. We paid our cover and secured a nice cushy spot on a ledge by the side of the stage. We watched a few really good bands and waited to hear from Andrew. Eventually, he called and told us that he was stuck outside and they weren’t letting anyone else in. This time, there was no Aziz to help us out. I went to talk to him. There was nothing they could do. He didn’t get there in time. He was really pissed that he wasn’t going to get to see I Love You Buy I’ve Chosen Darkness. With a name like that, they HAVE to be good, right? Well, Andrew…you didn’t miss much. The best bands came on before them. By the time they went on, they have been overshadowed by their peers and couldn’t live up to the hype. Brugos and I left after the first song or two, and went to find Justin, who was also stuck outside the tent.

Andrew went back to his VIP situation. Justin, Brugos and I were left to our own devices, and, at that point, there wasn’t really a music venue we could get into, so we went back to the Fox and the Hound. By the time the our first round of drinks came, I realized I was EXHAUSTED and just wanted to go to bed. I tried to drink my drink but I couldn’t do it. Justin, who had been in bed all day, was raring to go. He said he didn’t mind sticking around, though, we our unfinished drinks. So Brugos and I shared a cab to our respective hotels and called an end to our last night in Austin.

SUNDAY

The next morning, Justin, Brugos and Andrew convened at my hotel (Jacob had gone home the previous morning). I checked out and we got some breakfast at the Star Seeds café next door.

I took advantage of access to proper grits. Meanwhile, Andrew and Brugos both ordered something called the A-Bomb. From what I could tell, the A-Bomb consisted of two English muffins topped with scrambled eggs, sausage, and queso. It was HUGE and very daunting. Andrew’s was heavy on the queso, while Brugos’ appeared to be heavy on the egg. Either way, finishing it might have killed them. But somehow it didn’t. Justin and I were not able to join the clean plate club that day.

We had a few hours to kill before we needed to get to the airport, so we decided to call a cab to take us to a multiplex. We were going to see Dave Chappelle’s Block Party. Our cab driver dropped us off, and offered to come back and get us after the movie to take us to the airport. It was only 11:30 at the time and the movie didn’t start till after noon, so we dragged our luggage around the deserted strip mall in search of coffee for Andrew. Multiple buffet options they had. Coffee, they did not.

When we got back to the theatre, it was open. They let us stash our luggage in the box office. At the last minute, we forfeited laughter for the option of watching people die. We bought 4 tickets to “The Hills Have Eyes”.

There was still time before the movie started, and guess what they had in the lobby…DDR!! The perfect way to burn off the A-Bomb or a plate of fried eggs and grits! I’m sure the employees of the theatre aren’t accustomed to having a group of young adults with suitcases come into their theatre on a Sunday, buy tickets to a horror movie and then play 3 rounds of DDR.

The movie got out a little late. Andrew called out cabbie. I guess he had been there already and waited for us, then drove off. He came back about 10 minutes later. It was 2:20. He said it takes 45 minutes to an hour to get to the airport. Our plane was taking off at 3:53. He told us we might miss it. Andrew and Brugos said we’d be fine. I was worried because I like to worry.

But we were fine. It didn’t take 45 minutes to get to the airport. I don’t know why the guy told us that it did. Maybe he likes to make his passengers sweat. Maybe it was revenge for making him wait. Regardless, we checked in and got to the gate no problem. I even had time to buy a sandwich.

On the first flight we had both Hotchip and the Research. I felt pretty cool to be flying with rock stars.

For some dumb reason, our flight connected in Chicago. When we taxied, the captain told us we weren’t able to get to the gate. The time of our connecting flight drew near and even though it was due to leave from the same gate we were landing in, it seemed like we might miss it.

Andrew and I passed the time by looking at pictures on his camera phone. He also logged onto MSN and sent Sherwood a message saying we were stuck on a plane. This confounded Sherwood, who then texted me on my cell and said “I just got the strangest message from Andrew.”

Eventually, we got to the gate. When we de-boarded, we discovered that not only was our connecting flight delayed, but that it was actually THE SAME PLANE we were just on. It would have been nice to have that information earlier.

On the flight from Chicago to Seattle, Andrew was kind enough to share his video I-Pod with me. We watched several episodes of Futurama, the Apache video, the first 10 min of Rear Window and half a Seinfeld episode before the battery died. Unfortunately, there was still quite a bit of time left in the flight. Andrew nodded off. Brugos was a row up and over and asleep. I cursed people who are able to sleep on planes and then I restlessly took to my puzzle book. And for some reason, the grumpypuss stewardess didn’t want me to have any water.

We finally landed in Seattle, were picked up by Andrew’s lovely friend Libby and home we went to sleep and prepare ourselves to come back to reality.

Who wants to go to Austin next year?!

SXSW Recap Part 2

SUNDAY
Oh we had plans for the day. Such plans. And then we passed Coyote Ugly and two large, bald bouncers pitched us with $2 Bloody Marys. We collected Brugos from his breakfast of Crawfish and resolved to have 1 drink at Coyote Ugly and maybe wander around town before going to see a movie at 4:30.

Jacob put the first round on his card. The bartender told us there was a $10 min so of course that was easily solved by ordering another “quick” round. We took in the décor. The bartender, who’s name was Trish, joked around with us. I never caught the name of the other bartender, but I’ll just call her “Yoko”, on account of her distinctive singing style and generally insanity. Random frat guys came and went, but mostly we had the place to ourselves. One frat guy revealed (or perhaps pretended) that it was his birthday, so Yoko wrote on his back with a Sharpie: “Enter Here” with an arrow pointing to his ass. Every once in a while, the girls would get on the bar and do a choreographed dance to a song. They played ice cube tiddlywinks. Yoko put the mic between her legs, pushed a guy’s face into it and yelled “I taste like Chicken!” She grabbed my camera and took a picture down her shirt and pants. She cut eye and mouth holes in a black plastic bag and put it on her head. She pranced around on a hobby horse. She put the bag ON the hobby horse and pranced around some more. It was a never-ending circus of crazy hot chicks and somehow we found round after round in front of us. Somewhere around the 4th drink, we forfeited going to the movie. I was having so much fun, I bought the wifebeater. While I was picking out my shirt, I saw a cigar case and couldn’t resist buying one. Trish kept trying to get me to do something with her. She suggested that we hula hoop, but I assured her that the only way in which I could get the thing to stay on my hips would be if I used one that was way too small. She slowly wore me down with alcohol and conversation until she finally convinced me to actually get on the bar and “just stand in front of the fan”. Once I got up there, I felt stupid just standing still, so I started dancing. I made it through half a song and then sat back down again, miraculously to a round of applause. That one definitely goes on my very short list of Things I Never in A Million Years Thought I Would Do Without a Gun to My Head.

After that, I was ready to smoke my cigar. Jacob bought one too, and the 3 of us went to the back porch.

We finally headed out after my songs played on the juke box.

Let his be a lesson: No one is safe from the Magic of the Coyote Ugly.

Next we did a little drunken wandering and ended up at the Hilton bar where I’d read was a good place to schmooze. It wasn’t. Or, at least, not that night. Instead, we decided to check out yet another Irish pub called Mother Egan’s, this time for karaoke.

Am I ever glad we did. Despite exhaustion from having already been drunk once that day, their selection was AMAZING. SO MUCH BRIT POP! These people had Oasis B-Sides! They had Peter Schilling! Jacob sang “Common People” and “Girls and Boys”. I got to sing a guilty pleasure song “Karma Killer” by Robbie Williams to a very small crowd of Austiners. One of the other bar patrons was a skinny lad in a white, homemade t-shirt and a plastic MP hat who had some interesting stage moves. This spawned a new game “Drunk or Weird”. It was later determined that this fellow, named Brian, was a little of both. He was nice though. And so were his friends. Around 1, Jacob and I decided to take our leave of the bar scene and get some sleep. Brugos stayed behind to hang with our new friends.

Jacob and I walked to edge of downtown to gas station so I could get a big bottle of water. Then we waited on the corner for ages for a cab to come along. As we waited, the station attendant chased some teenagers out of the car wash. I guess they had been peeing in there.

Finally, a cab pulled in and picked us up. It pulled away JUST as some serious shit started going down behind us. He sort of scolded us and asked us what we were doing at that gas station at 1:30 in the morning. He said next time to wait in town, because the gas stations along the highway get robbed about once a month. He attributed it to vagrants coming up from New Orleans.

The cabbie later revealed that he had come to Austin to be a filmmaker.

MONDAY

Jacob and I decided to finally spend the morning doing something useful. We went to a distribution panel and a theatrical acquisitions panel. I had a celebrity sighting in the form of Judah Friedlander. That’s one of those sightings that would be absolutely meaningless to most people.

After the panels, we headed to McCormick & Schmick’s (yes, there’s one in Austin too) for the Oklahoma Film Office party. A wiry fellow who’s voice sounded like a bad Woody Allen impression adopted me and Jacob for a while and told us, me especially, that we really needed to sell ourselves. While he talked to us, he called over everyone in the room on an individual basis and had them look at a trailer that he’d made in 3 days for SXSW.

Eventually, we were approached by one of the people in the film office (and also a waiter with booze…thank god), and we ended up pitching our movie to her. She said she really liked it and would love to read the script. She also tried to sell shooting in OK to us. Apparently, they have the same tax incentives for filmmakers that WA is trying to get right now. Hopefully the bill will pass in WA so that we don’t HAVE to shoot in OK.

After we warmed up with the first lady, we felt a little more comfortable. Everyone we talked to after that, though, also worked in the OK film office. We literally met and pitched our movie to everyone in the office. Granted, that’s only 3 people, but it still seemed kind of impressive to me.

We had planned to try and catch a screening of “The Notorious Betty Page” after the party, but by the time we got out of there, the line was wrapped around the block and there was no way we were getting in. T’was like free beer off a duck’s back, however, because who wants to see a movie about Betty Page that's starring A WOMAN WITH NO TITS OR ASS?!

Instead we changed course and went to a bar called The Ginger Man in search of dinner. We began to realize that while pubs in Seattle are an ideal place to eat, it is not the case in Austin. They didn’t even HAVE most of the stuff on the menu and what we did order was lackluster.

Not to worry. We eventually found our way to a filmmakers tent which was serving FREE TACOS, BEER AND ICE CREAM!! The nice lady at the door told us not to get the “nucular” unless we were really serious. Jacob, of course, heeded no such warning. Brugos got one regular and one “nucular”. I got a tortilla filled with cheese and tomatoes. They were still grilling the veggie meat. Eventually, the veggie meat was hot, so I got a new taco. I guess they decided to make the veggie tacos nucular too because one bite was enough for me. Luckily, ice cream and beer are the perfect combo for cooling off your mouth and stomach.

After our free taco orgy, we caught “Punk Like Me” at the Convention Center. Again, we had no trouble getting in, even though we were cutting it close to the show time. I love this festival.

The movie was cute and funny. Some of the animation conventions were a little irritating, but overall, I was entertained. During Q & A, the filmmakers mentioned their after party, so of course, we headed right over.

At the door, they checked IDs. They glanced briefly at our badges and we headed in. They stopped Brugos and asked him where his badge was. I said “He’s with us” and they actually waived him in. I can’t tell you how cool it made me feel that they didn’t see through my ruse of pretending to be someone important.

Next to the bar, there was an American Spirits booth where they were giving out FREE CIGARATTES. More and more, Austin was beginning to feel a bit like the American version of Amsterdam.

Outside in the courtyard, Jacob spotted the elusive Mark Bell and friends. We were very excited to hang out with Mark, who is hilarious and a lot of fun.

Just then, I spotted a familiar face walk past “Oh shit!” I said. “There’s Eugene Mirman!” “Who?” was everyone’s reply. So I pointed to the button on my bag and explained who he was. So they convinced me to go talk to him. One of Mark’s friends helped me out by approaching first (even though I was already on my way) and saying “Hey, that girl over there really wants to meet you”. Thanks, guy.

But it worked out just fine. Eugene was very approachable and friendly and we actually ended up talking for quite a while. Eventually, one of his friends arrived. She bore a VERY striking resemblance to Elyse and we told her so. She said she was often told she looks like people’s friends. That seemed odd to me because until then, I had never met anyone that looked like Elyse besides Elyse. Does everyone in New York look like that?

After a while, Eugene and his friends decided to go next door to check out the Red Bull party. He invited us to come along. We only got as far at the door, however. They said they weren’t letting anyone in if they weren’t on the list. Mark was on the list. For a few minutes, Jacob, Brugos and I were actually stuck outside of a party with Eugene Mirman. That is, until one of the door people recognized him and let him and Elyse in. But here’s the amazing part: As he was headed in, he actually said to us that he would try really hard to find someone in there who could get us in. Whether or not he really intended to do that, it was incredibly considerate of him to even mention it in the first place.

He didn’t have to keep his promise, however. A few minutes later, the door people waived us in. Inside we learned that the Mighty Mark Bell was responsible. I love that guy.

The Red Bull party was full of lots of crazy interactive stuff including some Matrix Alien type TV display, instruments, shadow dancing and, of course, tons of free Red Bull. Too bad I’m off the stuff ever since the Worst Bus Ride in History 2001.

The party wound down shortly after we got in there, but we still had time to take part in the festivities before cabbing it back to our hovels.

TUESDAY
I woke up SOOOOO hung over. Despite much adversary, including me being wicked hung over, realizing on the bus that I’d forgotten my badge and having to walk 20 minutes back to the hotel, Jacob and I still somehow made it to the Ain’t It Cool News panel. We only missed the first 10 minutes or so. It turned out fine because the panel went over by 30-minutes.

Afterward, I gave Harry a DVD, and we ran into Mark again. Mark was pretty much done with work, so he had time to get some food with us. We waited a while for his boss to get done with work and then we met up with Brugos and headed to the Taco Shack for a little taco breakfast.

The Taco Shack was probably not the best choice for my hangover, but I’m not really sure what would have gone down right at that moment. We got our food and sat at the tables outside. Everyone was feeling pretty rough right then, including Mark’s boss. He asked us what we did for a living and Jacob and I told him we were filmmakers. The conversation naturally went to our projects but unfortunately, Jacob and I were not at ALL in pitch mode. What followed was basically a reality check from a guy who has been in the business for a while and has had a lot of experience with indie filmmakers and first-time features and people biting off more than they can chew. He told us that our plan was probably on too grand a scale and that he would hate for us to fail so miserably that we never make another movie again. He had some really good points, and said some stuff that was kind of hard to hear, but he also make us feel like we were actually pretty prepared. He made a lot of suggestions for things that we had either already thought of or already taken care of. I definitely think we’re much further along and foresighted than a lot of our feature-virgin brethren. I just wish I hadn’t felt like I was going to throw up the entire hour and a half that we talked.

After we said goodbye to Mark and the Boss, we set to wandering. The idea was to too find a park so that I could take a nap. Little did I know then that while we were sitting outside having our Hollywood brunch, I was developing a nice harsh sunburn.

Hangover + Sunburn = worst hangover ever.

As we waited for the bus that would take us to the park, it became increasingly apparent to me that if I was too make it to the evening’s festivities, I would need to lie down in a bed with a giant bottle of water, and soon. Brugos headed to the springs without us and Jacob took my sorry ass back to the hotel for a nap. A while later, I woke up feeling only slightly better. My face now resembled that of an Irish priest on a 3-day bender (which, I suppose, wasn’t that far off).

Shortly after I woke up and tended to my burns, Cherry called, followed by Brugos, to sort out the evening plans. Jacob headed off to have dinner with a colleague and Brugos and I strolled up to the Red River café, which was a suggested dining location from Derek. I ate what I could, but was starting to get the old Sunburn Fever which was taking all kinds of liberties with my faculties. I tried iced tea, hot tea, water and food, but nothing was really helping. Still, I pressed on.

Brugos and I decided to walk to Emo’s, the venue wherein we would see the Comedians of Comedy show that night. It was a really lovely walk through the UT campus and I think it helped. Regardless, by the time we got to Emo’s, I knew I had better find a bathroom quickly. I raced past everyone in line and dashed into a restaurant with a clearly labeled sign “Restrooms for Customers Only”. Sorry, dudes. It was either disobey your policy or throw up on your doorstep. I think my decision benefited both of us.

We walked back toward the Emo’s line and found Cherry, who was befuddled as to why we had gone right by her the first time. Luckily, she was right at the front of the line, so we didn’t have long to wait before getting in and securing a nice spot right at the front of the stage. In retrospect, this was the worst possible place for me to be, but at the time it seemed like a great idea.

I thought perhaps a little hair of the dog would help. Not so. It wasn’t long before my stomach was empty once again. I decided to lay off the drink for the rest of the night. We were introduced to a young, possible couple called Robbie and Robert, who were both quite drunk already.

Meanwhile, Justin and Jacob were waiting in the ginormous line outside. They had not yet met so we couldn’t consolidate our efforts for getting them in. For some reason, the line wasn’t moving at all. Eventually, they both got in to the very packed house. Justin made fast friends with Robbie (who looked like a young, Hot Topic version of Val Kilmer). My area was getting smaller and more smoke-filled and it wasn’t long before I had to run back to the bathroom. I thought that surely this time, I had nothing left to give. I was wrong. A word of advice: If you find yourself nauseous in Austin, the worst possible place to be is in the Emo’s ladies room. The stalls are not only tiny, which prevents you from being able to kneel without literally hugging the toilet, but also the toilets themselves are FILTHY, which only makes you want to throw up more. I had to pay a total of 3 visits to my new frenemy that night.

The show started and Patton kicked things off with a warm-up. Throughout the night, he performed during the interludes and then did a longer set at the end. The first comedian was pretty terrible. Very Comedy Central: Premium Blend blasé. But everyone else was really good. I’d never heard of Aziz Ansari before, but the guy was HILARIOUS. I wish he’d gotten to do a longer set and I hope to get to see him again in the future.

Eugene Mirman did some bits I’d seen before, and one hilarious “impression” of Darth Vader lip synching to a Belle and Sebastian song before having a nervous breakdown.

As much as I love the Comedians of Comedy, I will never again situate myself in the front row for a show wherein alcohol is being served. Drunken indie kids are some of the most IRRITATING and non-sensical hecklers I have ever encountered. Mostly, their heckling consisted of them loudly repeating one word or phrase from a joke and then laughing at themselves. In my ear. I was also surrounded by smoke. Of course, this would never be a problem in Seattle, and usually, it doesn’t bother me. But I was in no state to be barraged with inane yelling and cigarette smoke at that moment.

At one point, apparently, Robbie began to take some swigs from a little vial containing clear liquid. We hypothesized about what he could be doing. Was he taking GBH? Was he roofying himself in case Robert didn’t want to take him home that night? Who knows with the kids anymore.

Robbie also spent about 20 minutes leaning on me to take picture after picture of Patton on his camera phone. No. More. Front. Row.

After the show, I realized that I hadn’t gotten a picture with Eugene the night before, so I went over to ask him for one. Brugos went with me and talked to Elyse 2 again. Eugene’s response to my asking for a picture was “Of course. Because no one would believe this otherwise.”

Jacob and I waited around for a while to introduce ourselves to Patton. He was swigging from a bottle of Scotch, being very personable and generally very excited to talk to his fans. I honestly can’t believe how nice all the guys in that group are.

As we reconvened and tried to figure out what to do with the rest of our night, we were approached by a guy who had been standing behind us during the show. He followed us to Club DeVille, where we were getting a night cap. He bought two rounds of drinks since it was last call. 20 minutes later, we had to down the drinks and leave.

There was nothing much left to do with the night, so we said we were getting a cab to go back to our hotels. Our new friend, instead, offered us a ride home in his van. Yes, I realize how that sounds now. But in our fragile states, it sounded like a grand idea. We told him that our hotels were north. He headed south. At first, I thought perhaps he, being a local, just knew a super secret way to the freeway. Cherry mentioned that she had to pee, and he suggested that she use the toilet AT HIS HOUSE. We said “that’s ok, we can just go back to the hotel”. We continued south. Cherry said again that she had to pee. “Let me just take you to my house,” he said again. “It’s closer.” Sure, NOW it’s closer since you’ve been DRIVING FOR 10 MINUTES IN THE WRONG DIRECTION.

We pulled into his driveway. Jacob and I grumpily stayed in the car. Brugos and Justin wisely accompanied Cherry into the house. After Cherry went to the bathroom, apparently, she checked out the guy’s kitchen and asked for a beer. His fridge was FULL of beer, but he kept giving weird excuses to her about why he couldn’t give her one. “That’s the last one,” he said. “Those beers are expensive.” “I’m saving those.”

Is he, perhaps, collecting urine samples and only offers beer to those house guests who can’t go to the bathroom? Does he hide his urine samples in sealed beer bottles in his fridge? We’ll never know.

Eventually, they came back to the car. Finally, we can go home, thought I. But then Cherry wanted cigarettes. “I’LL GIVE YOU SOME CIGARETTES,” said Brugos. But Creepy Dude insisted on taking Cherry to 7-11. Was 7-11 on the way to our hotel? OF COURSE NOT! It was east. So now we were south east of where we wanted to go and we had been in the car for 40 minutes. We could have walked home by then. We are fools.

At a stop light, he slammed on the breaks and slid into the intersection, narrowly missing an oncoming car. We wanted to go home. He pulled into the 7-11 parking lot and we anxiously watched Cherry buy cigarettes. After she got back in the car, Creepy Dude at long last said “Now I’ll take you back to your hotel.”

He got on the freeway going north. Salvation was in sight. At our hotel, everyone got out of the van. Brugos decided to call a cab. The extra $7 or $8 would be worth it not to get chopped into little pieces. The Creepy Dude made sure to give me his phone number right before we got out. Sure dude. I’ll give you a call next time I have to pee…

SXSW Recap Part 1

SATURDAY
I woke up at the ass crack of dawn. Brugos hired a town car to take us to the airport. I said goodbye to the kitties and hauled by suitcase down the stairs. It was early. I am not into early. My stomach gets all rumbly. But we still made it to the airport with enough time for me to grab a nice stomach-settling breakfast of coke and Chex mix. Since it was going to be a long day, Brugos also bought us sandwiches for later. Mine was a no-frills cheese sandwich: white bread and 3 slices of cheese. No mayo, mustard or lettuce. Fuck you, vegetarians.

On the first flight there was a movie. Most of the time, I will watch the airplane movie no matter how bad it sounds. That’s how I know that “Sweet November” is one of the most ridiculously clichéd scripts every written, or that “The Princess Diaries 2” is so embarrassing that it almost cancels out the triumphs of the early the careers of Julie Andrews and Michael Caine. But I just couldn’t bring myself to shell out $5 for “The Family Stone”. The trailer they showed features lots of yelling and falling. But as Brugos and I talked through it, it appeared that the trailer was pretty misleading about the slapstick. Mostly, actors just stood there and talked to each other. And whatever they were saying was apparently HILARIOIUS to everyone around us with headphones. Still, I feel I made the right decision on this one.

We quickly changed planes in Dallas and hopped on a smaller plane. The flight was only about 35 minutes long so we were pretty sure there would be no drink service. But lo and behold, right after the captain announced that we would begin our decent in 10 minutes, the stewardess brought out the drink cart. Brugos thought this the perfect opportunity squeeze in a Gin and Tonic, but the Stewardess had other plans. “You don’t have time to drink a Gin and Tonic”, she said. Brugos protested that he could drink one pretty quickly in a pinch. She didn’t believe him. We’d get non-alcoholic beverages or we’d get nothing and we’d like it. Why she didn’t just say “We’re not serving alcohol right now” instead of making a character judgment about the speed at which he can consume a drink, I don’t know. I’ve since come to the conclusion that Texan stewardesses are a surly bunch.

We landed and met Jacob, who had been dropping off his rental car. The three of us hopped in a cab and headed to our respective hotels, with the requisite careless cabbie at the helm. Jacob and I checked into the Days Inn and freshened up. I changed out of my heavy dark winter clothes into my thin, dark summer clothes. We downed some delicious, wet-dog infused tap water and then headed to the bus stop to go downtown. The first stop was the Convention Center to pick up our film badges.

Already, everyone in town seemed to be revealing themselves as extremely and genuinely friendly. I hadn’t realized how much I’d trained myself to ignore strangers who call out to you on the street. In Seattle, it either means they want money, they want to canvas you, or they just want to talk to you at length about some sort of conspiracy involving the government, the police and/or badgers. In Austin, they want to tell you that you dropped something or that you have nice hair. It takes some getting used to.

After picking up our badges, we grabbed our schwag bags which were nice SXSW canvas bags filled to the brim with magazines and ads and two bottled of flavored Aquafina each. Since paper is extremely heavy, and we had miles to go before we slept, we emptied as much useless crap as we could into a garbage can. The thing still weighed a ton though.

We met Brugos on 6th street for dinner. We were pretty hungry by then, so we weren’t too picky. We settled on an Irish Pub for our first Austin meal. On our way in, Brugos ran into someone he knew from childhood, thus cementing him as the surrogate Ben for the trip.

Brugos and I shared some sub-par queso and quesadillas and Jacob had the Irish stew. That’s what we get for going to an Irish pub for Mexican food.

We decided to catch a 9:30 showing of “Brothers of the Head” at the Alamo South Lamar. We had plenty of time and it was a beautiful (albeit hot) night, so we decided to walk. Brugos was none-too-pleased with his digs at the Super 8, which was much further north than our hotel, so we foolishly thought we would see if we could find a room in a different, less dodgy and inconvenient hotel.

As we walked, I answered a call from my mom. I never would have picked up if I’d known what was about to transpire. I had been worried that she was mad at me, after she’d called my office the week before and hadn’t wanted to speak to me. Turns out she WAS mad at me, since the last time she was in town, I’d told her to cool it with the “What the Bleep” talk. Perhaps I hadn’t phrased it in the nicest possible way, but she didn’t seem so hurt at the time so I thought I didn’t apologize. Apparently, she took it to mean that she couldn’t tell me ANYTHING anymore, and didn’t know what to say to me. That’s why she didn’t tell me until that night that her mom was sick and she had to go East to tend to her. Yeesh.

So this lead into a marathon argument about whether or not what she believes in is a religion or a methodology and whether or not I was a closed-minded asshole for not trying out every single “cure” that she learned in her workshops. She used logic like “you can see gravity or wind, but you can feel it” to explain it all to me. Finally, I told her I was an atheist, thinking this might better explain where I was coming from. She got really quiet for a minute and then said in the most hurt voice I’ve ever heard, “So you don’t believe in anything just like Ray…”. I explained to her that my lack of “faith” had nothing to do with my father, since it was a conclusion I came to entirely independently of him. Furthermore, it didn’t mean that I didn’t believe in ANYTHING, just that I didn’t follow any of the existing faiths. She still didn’t believe that this didn’t make me an immoral heathen, so I attempted to convince her that basically all of my closest friends are also atheists and they are all very nice, very moral people. At one point, in response to my saying that I wanted to be able to hang out with her whilst agreeing to disagree, she told me that if she had to censor herself around me that it made me “as bad at people who burn books”.

As my mom compared me to Hitler, Jacob and Brugos noticed that we were all hopelessly lost. We were in a very suburban looking area with little promise of stumbling across a movie theatre. As they stood in the road scrutinizing maps, some folks who were drinking beer on their porch called out to us “Hey, are y’all lost”. Unbelievable Austin hospitality struck again. The lovely people not only told us how to get to the theater (we weren’t that far off track), but they also gave Brugos a beer.

At that point, the argument with my mom was winding down, but I still couldn’t hang up. As we walked in the direction of the theatre, an SUV pulled up behind us. It only took us a second to realize that it was one of the people from the house. He offered us a ride which we graciously accepted. My mom finally guessed that I was a little busy and let me off the phone.

We got to the theatre 10 minutes before the movie was to start. Knowing what we did about the structure of other film festivals, it seemed hopeless that we would get in, but we decided to try anyway. Miraculously, Jacob and I were let right through with our film badges. We said we’d try to save Brugos a seat, thinking he was out of luck. To our surprise, the theatre was only about half full and Brugos came in about 3 minutes later with no problems.

I really liked “Brothers of the Head”. Thematically, it’s a lot like “Twin Falls Idaho” but, I suppose there are only so many different themes one can explore in regards to young, attractive conjoined twins. The music was also really good. It was very authentic for the style they were going for (early 70's pop/punk). And lucky us, we even got free CDs featuring music from the film.

Next, we decided to try and catch the bus back into town for the “after party” at Maggie Mae’s. When a bus finally showed, the driver told us that he was “not going downtown”. However, after it drove off, it became apparent to us that it was at least getting pretty NEAR to downtown. It was then that we realized that Austin is not a bus city. Not only are there no schedules ANYWHERE to be found, but people seem to think that if the bus isn’t dropping you off at your door, it’s not the bus you want.

We got some quick reinforcements at a gas station and waited for a cab. While waited, Brugos and I were mesmerized by a giant orange T-Rex which who clearly resided in a mini-golf course. This was Peter Pan mini-golf, and we resolved to go back before the week was out. Seeing our new dexterously challenged friend also allowed us to conceive a new character: Rex T, the foppish T-Rex. Stay tuned for his adventures.

Our cab driver was very surprised when we told him our destination. “You don’t look like the type of people who would want to go to Maggie Mae’s,” he said. Apparently, both the bar, and 6th street in general is usually the fratty part of town. We explained to him that we were attending an after party for a film. Evidently, he was more correct than we were. The “after party” was letting everyone in off the street. The Filmmakers, from what we could tell, didn’t even go into the bar. Perhaps they couldn’t afford to reserve the place? Regardless, we had a few drinks and then hopped into a cab to go back to our hotels. In a small town moment, we realized that it was the same cabbie who picked us up from the airport.