Film Review: The Pink Cloud



The pandemic has inspired loads of films about isolated people because isolation is where we’ve all been for a year and a half. Surprisingly, The Pink Cloud was filmed pre-COVID, but you wouldn’t know it by the way it poignantly captures the maddening nature of being stuck inside. This quiet Brazilian sci-fi feature posits: What if, when the deadly thing hit, you were immediately confined where you stood indefinitely. You’re at a slumber party with your fellow tweens and one single dad. You’re at the grocery store with strangers and your partner is at home, alone. You’re spending a leisurely morning with the person you picked up in a bar the night before, expecting them to leave soon. No walks around the block to cool off. No therapeutic trips to Trader Joe’s. These walls are now your entire world. 

That’s what happens to the protagonists of The Pink Cloud, a meditative, understated disaster film from writer/director Iuli Gerbase. In this case, the McGuffin is a toxic, pink cloud that inexplicably rolls in all across the globe and kills anyone who breaths it in within 10 seconds…

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Film Review: WYRM

It’s difficult to impart a sense of Christopher Winterbauer’s feature debut, Wyrm without making it sound like a bit of a drag. The films’ own synopsis compares it to Yorgos Lanthimos (presumably The Lobster) and Todd Solondz, (presumably Welcome to the Dollhouse). The film also lends itself to comparisons to Napoleon Dynamite, but again, this is unfair. Winterbauer’s film, based on his 2017 short, isn’t nearly as nihilistic as Lanthimos or Solondz, and it’s much more nuanced than Jared Hess’ breakout smash. On its face, the script is about the mortifying awkwardness and quiet indignity of junior high sexuality, but underneath, it’s a poignant exploration of grief and the myriad ways it manifests. 

Wyrm (Theo Taplitz) is the unfortunately-monikered titular protagonist and his origin story is tragic. Born with a heart condition, he is the latest of bloomers, and literally the last kid in his 8th grade class to complete his Level 1 Sexuality Requirement. Until he’s kissed by a willing romantic partner, Wyrm must don a bulky, chafing collar around his neck, telegraphing his predicament to everyone he encounters. His twin sister, Myrcella (Azure Brandi), was once his closest confidant. But now that she’s “popped her collar,” she wants nothing to do with him and is even angling for her own room…

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