Hammer to Nail Review: Chemical Cut

(The 2016 Slamdance Film Festival is in full swing and we have boots on the ground as well as eyes on screener links for the whole festival! Stay tuned to hammer to Nail as reviews start rolling in…)

Chemical Cut is the more-than-semi-autobiographical first feature written, directed by, and starring former America’s Next Top Model contestant, Marjorie Conrad. But this isn’t a dramatic reenactment of her time under the tutelage of Tyra Banks, nor is it a straightforward account of Marjorie’s experiences attempting to forge a modeling career after ANTMChemical Cut is about modeling, but it’s moreover the tale of a sheltered young woman attempting to thrive in a hostile world and discover her true self.

23-year-old Irene (Conrad) is indecisive about her career, but she knows she doesn’t want to stay in her dead-end retail job. So when, thanks to a dramatic new hairdo, she is scouted by a modeling agency, she decides to give it a try. She is immediately met with opposition, as well as discouragement from her parents and her emotionally abusive childhood friend, Arthur (Ian Coster). Her new agent is grotesque in both appearance and personality. And though he bombards her with dehumanizing criticisms the moment she walks in the door, she decides to stick with it, determined to make the most of the “one good year” she has left to be a model…

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Hammer to Nail Review: Bread and Butter

That line from Clueless popped into my head repeatedly as I watched Liz Manashil’s filmmaking debut. Brittany Murphy delivers the “way harsh” insult to Alicia Silverstone as a means for discrediting her. If you’re a virgin who can’t drive, who are you to give someone life advice? Of course, those characters are teenagers, so they aren’t exactly brimming with wisdom. Amelia (Christine Weatherup), the protagonist of Bread and Butter, is thirty years old.

Early on, Manashil cleverly establishes Amelia’s desire to “live in a French movie”. This sets the audience up to expect a certain quality of whimsy (that her name is so close to Amelie can’t be a coincidence). When she finds an annotated novel in a used bookshop, and vows to meet the man behind the notes, you think you know what’s coming. But Amelia is no Manic Pixie Dream Girl. She’s more like a Manic Normal Human Woman. And Bread and Butter, is a romantic comedy about what dating is really like for socially inept oddballs…

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Hammer to Nail Review: Circle

(The 2015 Seattle International Film Festival started May 14 and ran all the way until June 7. HtN was on the scene and a festival wrap-up is coming later this week. In the meantime, check out this review of Circle, the latest from filmmakers Aaron Hann and Mario Miscione).

Circle is the most fun you can have watching a diverse group of strangers get systematically executed. Aaron Hann and Mario Miscione crafted a shrewd script for their Twilight Zone inspired morality tale about fifty people who are forced to stop being polite and start getting judgmental.

It begins with everyone returning to consciousness after a blackout, to discover that they are standing in a circle, facing each other, in a dark room. They soon learn that they cannot move too much or try to step off the red dots under their feet, lest a machine in the middle of the room electrocutes them. And that’s not even the bad news. Every two minutes, the machine also kills one person at random. They can’t stop the death, but they do have the power to choose the next victim by popular vote. There are other rules and nuances that they ascertain along the way, all of which play into their harrowing discussion about who should be the next to die and if “winning” this sadistic game is even an option…

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