et’s face it. White liberals are having a “woke” moment that is shamefully long overdue. Growing up in the 1980s and early 90s as a white middle class kid from a moderately open-minded family (albeit residing in the conservative American south east), I was taught that the most respectful way to treat people of color was to be “color blind”. That is, to behave as if the color of their skin did not matter. It’s who they are inside that counts. And while that is a lovely notion for a fictional, utopian, post-racial society, it is unrealistic for our world. Moreover, it’s disrespectful and hurtful because it negates the realities of people of color. In Virginia, I could see that racism was alive and well. But I moved to Seattle, Washington at my earliest opportunity and was quickly absorbed into a little bubble of like-minded people. How easy it was for me to forget what it was like beyond the membrane of my blue cocoon.
Mary Ellen Iatropoulos and Lowery A. Woodall III’s collection of critical essays, Joss Whedon and Race cover Whedon’s relationship with race, ethnicity, and nationality on his television shows Buffy the Vampire Slayer (1997-2003), Angel (1999-2004), Firefly (2002-2003), and Dollhouse (2009-2010), as well as the Firefly movie, Serenity (2005). Though Whedon is known for his progressive narratives, he’s not immune to perpetuating cultural stereotypes even as he seeks to subvert or transcend them. This is particularly true of his early work…
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