SIFF 2012 Review: Lola Versus

Sometimes, in the course of writing about a movie I liked, I come to find that my first impression might have been hasty. Ostensibly, “Lola Versus” follows the long-overdue trend of Rom Com re-invention pioneered by “Bridesmaids” and HBO’s “Girls.” But I’m beginning to wonder if the movie only works so well because of Greta Gerwig in the titular role. The moment that planted this seed of doubt in my brain occurred when, at the post-screening Q&A, scribes Daryl Wein and Zoe Lister-Jones identified the city of New York as “a character in the film.” (Note to people who make films in New York: We get it. You love your city. Now please shut up about it.) If the writers would say something so pretentious and cliché about their film, perhaps it’s not really as groundbreaking as it seems. Nonetheless, Gerwig’s congeniality and omnipresence are clearly enough to distract from the film’s problems…

Read the rest at Film Threat.

SIFF 2012 Review: Earthbound

“Earthbound” is a bit of a Dr. Who riff on the hijinks of a lonely alien experiencing modern day Europe. Only, in this case, we’re kept guessing about whether Joe (Rafe Spall) is actually the man who fell to Earth or the one who flew over the cuckoo’s nest. His beliefs are the result of his father’s deathbed confession that the pair of them escaped from planet Zaxalon years ago to avoid death via the ritual sacrifice of an invading alien species. Joe must continue posing as a human to avoid Zalador’s ever-watchful bounty hunters. That’s a lot of heavy stuff to lay on an impressionable 11-year-old. A young boy has a hard enough time trying to fit in without the baggage of believing he’ll never live a normal human life because the entire fate of a species rests on his shoulders. So “Earthbound” is either about an orphaned alien in Dublin attempting to fulfill his destiny, or it’s about a young man who, thanks to his manic-depressive father, has been living a lonely, delusional life. Separately, either of these plots might have made really good films. But together, the two stories never gel. Writer/director, Alan Brennan, wastes so much time keeping us guessing that he forgets to develop his characters. By the time he reveals the truth, you’re no longer invested in the ending. You just want it to end…

Read the rest at Film Threat.

Follow

Get every new post delivered to your Inbox.

Join 156 other followers