SXSW Review: Wonder Women – The Untold Story of American Superheroines

I’m willing to bet that “Comic Book Heroines” has never been a category on Family Feud because Wonder Woman is not only the obvious answer, it’s practically the only answer. Meanwhile, mainstream films have spent so much time and money on male superheroes that they have to mine the dregs for new franchises. It boggles the mind that we have a Green Lantern movie and yet, we have never managed to bring Wonder Woman to the big screen. (And no, “Catwoman” and “Electra” do not count.) As least now we have “Wonder Women! The Untold Story of American Superheroines.” This thought-provoking and inspirational documentary about what a superheroine could and should be is a good start.

Kristy Guevara-Flanagan’s film covers the history of the best-known comic book heroine and how the image of strong women has morphed in the media since William Moulton Marston created her in 1941. There are so few female comic book protagonists (super or otherwise), that Guevara-Flanagan has to include basically all media to have enough to talk about. We have had some proud moments (“The Bionic Woman,” Ripley, “Buffy the Vampire Slayer”) and some embarrassing moments (The Spice Girls). Regardless, when you stack it all up against the sheer volume of male-oriented stories, it pales in comparison…

Read the rest at Film Threat.

SXSW Review: Girls Against Boys

I don’t know why Austin Chick decided to attempt a feminist film. Did he feel that his surname made it his destiny? It’s certainly not for any truly feminist reason because homeboy went about it all wrong. I imagine Mr. Chick as the sort of guy who took Women’s Studies in college specifically to bang the straight ladies in the class. He certainly wasn’t there to learn because there is not one iota of legitimate feminism in “Girls Against Boys.”

Now, I’m not saying that every Girls and Guns caper has to be polemic. But a revenge plot as personal as the one that Shae and Lu embark on implies that Chick is trying to be poignant about something. Is the intended theme of this film anything more than just “Rape is bad, mmmkay”? Only Austin Chick knows…

Read the rest at Film Threat.

SXSW Review: The Do-Deca-Pentathelon

I just need to get this off my chest. Ten years ago, my husband, then a man in his mid-twenties, came up with the idea of a twelve-event competition. The nature of these events varied from drinking competitions to games of skill or (mild) athleticism. He called it the Dodeca-Cathelon. This competition has taken place every year since then, around his birthday. Fast-forward to 2012, and we come to find out that the old Duplass brothers are festival touring a film called “The Do-Deca-Pentathlon.”

Granted, they shot “Do-Deca” in 2008 alongside “Baghead.” This was way before they “made it” with mainstream audiences. But that’s still six years after the world’s first Dodeca-Cathelon took place in Seattle, WA. Now, maybe there’s a collective consciousness thing at play; also possible that two or three guys just had the same idea. Anyway, as you can imagine, we were definitely curious to see what this film is all about. And while it ended up having a bit more drama and life-lessons than my husband’s birthday parties, it’s still pretty entertaining…

Read more the rest at Film Threat!

SXSW Review: Small Apartments

There are a couple of literary character comparisons which are proven to sell me on a movie. One of them is the protagonist of John Kennedy Toole’s novel, “A Confederacy of Dunces.” Unfortunately, these references almost always set up standards that are impossible to meet. When the synopsis of “Small Apartments” compared its central character to the scholarly but socially incompetent butterball, Ignatius J. Reilly, I should have known it would be a stretch…

Read the rest at Film Threat!

SPECIAL EDITION! Hotter With a ‘Stache: Jason Segel

Did you know there’s a thing called “Mustache March”? Well, there is.

Lance Armstrong wisely tapped into the hipster facial hair market by giving men an excuse to let their inner bear out and raise money for (or, rather, against) testicular cancer. Healthy balls is something that most of us can get behind (or in front of). And here at Effed by the Wind, we also love to get behind the growing and subsequent styling of facial hair.

Mustache March’s charity is the MACC, which benefits kids with cancer. This is also an inarguably deserving cause. A friend of mine has been covering the celebrity Mustache March photos on her Facebook page, but they never included this fetching photo of TV and Film actor Jason Segel. He showed us his dong in “Forgetting Sarah Marshall”, but it wasn’t until this that he showed us his truly masculine side. I love mustaches but I have to agree that many people can NOT pull them off without looking like rednecks or sex offenders.

Jason Segel can pull it the fuck off.

When he tweeted this photo, he captioned it, “For the ladies”. He clearly meant it as a joke and I bet he shaved it off shortly thereafter. But before he did, I hope someone told him that he nailed it. He looks like an extra in “Mary Poppins” and I mean that in the BEST possible way. Keep up the good work, Segel. Hope to see the full beard monty in Movember.

SXSW Review: Safety Not Guaranteed

“Safety Not Guaranteed” has a lot of things going for it: Mumblecore superstar Mark Duplass (in both a producing and acting capacity), the adorably dour Aubrey Plaza (“Parks and Recreation”) and the prospect of time travel. Furthermore, it was shot in Seattle, which is relevant to the interests of certain movie critics who live there. How can you go wrong? Turns out you can’t. “Safety Not Guaranteed” is fantastic…

Read the rest at Film Threat.

SXSW Review: Somebody Up There Likes Me

Film festivals used to be lousy with movies like “Somebody Up There Likes Me” – Movies that were dry, quirky (without being cutesy) and borderline inaccessible. You got head-scratchers that kept you talking with your friends for hours after the screening. You got films so divisive that sometimes those conversations would turn into full-on fights. Maybe it’s because even indie filmmakers have become concerned with marketability, but they really don’t make ‘em like that anymore. Director Bob Byington doesn’t much care about marketability. What he does care about is unclear. In fact, there is a lot of ambiguity in “Somebody Up There Likes Me”. But that’s also what makes it fun…

Read the rest at Film Threat.

SXSW Film Review: See Girl Run

In his collection of essays entitled “Sex, Drugs and Cocoa Puffs,” Chuck Klosterman astutely observes that “dynamic, nonretarded Americans… all seem to share a single unifying characteristic: the inability to experience the kind of mind-blowing, transcendent romantic relationship they perceive to be a normal part of living.” For this, he chooses to blame John Cusack. (For the sake of argument, John Cusack is interchangeable with his character in “Say Anything”.)

John Cusack is not a fairy tale prince. He’s just a really nice guy. That’s why it may seem perfectly reasonable to want to “hold out” for a John Cusack of your own. But in actuality, John Cusack is a completely unattainable romantic ideal, which has made every “dynamic, nonretarded American” believe that if they don’t have a boom box serenade, they don’t have anything. Nate Meyer puts Klosterman’s idea into practice with his carefully crafted film, “See Girl Run”, by using the mold of a Hollywood romance to show how damaging these notions are when taken too seriously…

Read the rest at Film Threat!

SXSW Review: Sunset Strip

You might not think Sharon Stone had much in common with Kelly Osbourne, Lemmy and Paris Hilton (other than relative fame). But you’d be wrong. The thing they have in common is the Sunset Strip, the road that stretches a mile and a half through West Hollywood and has been making history for over 100 years. Every inch of it has a story. As Mickey Rourke puts it, “Your dreams will start there and they will end there.” Hans Fjellestad’s documentary, “Sunset Strip,” is a thorough history of this street of dreams and nightmares, beginning with its origins as a trade route, up to present day where ambassadors from each era converge. The film shows you a fascinating, glamorous, decadent and tragic place, filled to the brim with amazing tales. If you have even a passing interest in movies or music, you will be absolutely riveted for the full 90 minutes…

Read the rest at Film Threat!

SXSW Review: Lovely Molly

What is it with demons and video cameras, anyway? The found footage horror movie is seriously overdone. Can we please stop? It’s not even that scary anymore.

To be fair, the director of “Lovely Molly” (Eduardo Sanchez) is the guy who started it all when he brought us “The Blair Witch Project” way back in 1999. In his latest film, he mixes home movies with video footage shot by videographers (both seen and unseen) as well as traditional narrative filming. The result feels like a “Greatest Hits” of camcorder horror. And some of those hits aren’t even all that great…

Read the rest at Film Threat!

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