At SXSW, Aimee Lagos introduced “96 Minutes” by saying that it was about the people who “don’t normally have their stories told.” In actuality, these people she refers to have their stories told frequently, but it’s usually from a morally superior and monochromatic Caucasian point of view. Audiences and critics will inevitably (and rightfully) compare this film to Paul Haggis’ “Crash.” Depending on whom you ask, this is either a compliment or an insult. As far as I’m concerned, “Crash” is the most racist, condescending movie ever to win an Academy Award. Knowing that, you can probably surmise my position on “96 Minutes.”…
Read the rest at Film Threat.
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